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Of the great Babel and not feel the crowd.
To hear the roar1 she sends through all her gates
At a safe distance, where the dying sound
Falls a soft murmur on the uninjured ear.
Thus sitting and surveying thus at ease,
The globe and its concerns, I seem advanced
To some secure and more than mortal height,
That liberates and exempts me from them all.
It turns submitted to my view, turns round
With all its generations; I behold

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The tumult and am still. The sound of war
Has lost its terrors ere it reaches me,

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Grieves but alarms me not. I mourn the pride
And avarice that make man a wolf to man5,
Hear the faint echo of those brazen throats"
By which he speaks the language of his heart,

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And sigh, but never tremble at the sound.
He travels and expatiates, as the bee

From flower to flower, so he from land to land;
The manners, customs, policy of all

Pay contribution to the store he gleans;
He sucks intelligence in every clime,

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And spreads the honey of his deep research
At his return, a rich repast for me.
He travels, and I too. I tread his deck,

4 There from the ways of men laid safe ashore,
We smile to hear the distant tempest roar.
Young. Satire v.
While he, from all the stormy passions free
That restless men involve, hears, and but hears,
At distance safe, the human tempest roar,
Wrapt safe in conscious peace. The fall of kings,
The rage of nations, and the crush of states,
Move not the man, who, from the world escaped,
In still retreats, and flowery solitudes,

To nature's voice attends.

5 Lupus est homo homini.

Plautus.

Autumn, 1303.

6 The brazen throat of war had ceased to roar.

Par. Lost, xi. 713.

7 Sometimes in distant climes I stray,

By guides experienced taught the way;
The wonders of each region view
From frozen Lapland to Peru,

Bound o'er rough seas and mountains bare,
Yet ne'er forsake my elbow chair.

Soame Jenyns.

Ascend his topmast, through his peering eyes.
Discover countries, with a kindred heart
Suffer his woes and share in his escapes,
While fancy, like the finger of a clock,
Runs the great circuit, and is still at home.
Oh Winter! ruler of the inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fringed with a beard made white with other snows
Than those of age; thy forehead wrapt in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car indebted to no wheels,

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But urged by storms along its slippery way;

I love thee, all unlovely as thou seem'st,

And dreaded as thou art. Thou hold'st the sun

A prisoner in the yet undawning East,

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Shortening his journey between morn and noon,
And hurrying him impatient of his stay
Down to the rosy West. But kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gathering at short notice in one group
The family dispersed, and fixing thought
Not less dispersed by daylight and its cares.
I crown thee King of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted evening know.

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No rattling wheels stop short before these gates,

No powder'd pert proficient in the art

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Of sounding an alarm, assaults these doors

Till the street rings. No stationary steeds

Cough their own knell, while heedless of the sound

The silent circle fan themselves, and quake.

But here the needle plies its busy task,

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The pattern grows, the well-depicted flower

Wrought patiently into the snowy lawn
Unfolds its bosom, buds and leaves and sprigs
And curling tendrils, gracefully disposed,
Follow the nimble finger of the fair,

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A wreath that cannot fade, of flowers that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for the amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch of many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still,
Beguile the night, and set a keener edge
On female industry; the threaded steel
Flies swiftly, and unfelt the task proceeds.
The volume closed, the customary rites
Of the last meal commence.

A Roman meal,

Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoyed, spare feast! a radish and an egg.
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth.
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his aweful name, or deem his praise
A jarring note: themes of a graver tone
Exciting oft our gratitude and love,

While we retrace with memory's pointing wand
That calls the past to our exact review,

The dangers we have 'scaped, the broken snare,
The disappointed foe, deliverance found
Unlook'd for, life preserved and peace restored,
Fruits of omnipotent eternal love.

8 First of your kind! society divine!

Still visit thus my nights, for you reserved,

And mount my soaring soul to thoughts like yours.
Silence, thou lovely power! the door be thine,

See on the hallow'd hour that none intrude,
Save a few chosen friends, who sometimes deign
To bless my humble roof, with sense refined,
Learning digested well, exalted faith,

Unstudied wit, and humour ever gay. Winter, 540.

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Oh evenings worthy of the Gods! exclaim'd
The Sabine bard. Oh evenings, I reply,
More to be prized and coveted than yours,
As more illumined and with nobler truths,
That I and mine and those we love, enjoy.

Is Winter hideous in a garb like this?
Needs he the tragic fur, the smoke of lamps,
The pent-up breath of an unsavoury throng,
To thaw him into feeling, or the smart
And snappish dialogue that flippant wits
Call comedy, to prompt him with a smile?
The self-complacent actor when he views
(Stealing a sidelong glance at a full house,)
The slope of faces from the floor to the roof,
(As if one master-spring controll'd them all,)
Relax'd into an universal grin,

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Sees not a countenance there that speaks a joy
Half so refined or so sincere as ours.

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Cards were superfluous here, with all the tricks
That idleness has ever yet contrived

To fill the void of an unfurnish'd brain,

To palliate dullness and give time a shove.

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Time as he passes us, has a dove's wing,
Unsoiled and swift and of a silken sound.
But the world's time, is Time in masquerade.

Theirs, should I paint him, has his pinions fledged
With motley plumes, and where the peacock shows
His azure eyes, is tinctured black and red
With spots quadrangular of diamond form,
Ensanguined hearts, clubs typical of strife,
And spades, the emblem of untimely graves.
What should be, and what was an hour-glass once
Becomes a dice-box, and a billiard mast
Well does the work of his destructive scythe.

9 Thus in some deep retirement would I pass
The winter glooms, with friends of pliant soul,
Or blithe, or solemn, as the theme inspired.

Winter, 571.

10 And cards are dealt, and chess boards brought
To ease the pain of coward thought;
Happy result of human wit!

That Alma may herself forget.

S. C.-6.

Prior.

G

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Thus deck'd he charms a world whom fashion blinds
To his true worth, most pleased when idle most,
Whose only happy are their wasted hours.
Even misses, at whose age their mothers wore
The back-string and the bib, assume the dress
Of womanhood, sit pupils in the school
Of card-devoted time, and night by night
Placed at some vacant corner of the board,
Learn every trick, and soon play all the game.
But truce with censure. Roving as I rove,
Where shall I find an end, or how proceed?
As he that travels far, oft turns aside11

To view some rugged rock or mouldering tower,
Which seen delights him not; then coming home,
Describes and prints it, that the world may know
How far he went for what was nothing worth 12;
So I with brush in hand and pallet spread
With colours mixt for a far different use,
Paint cards and dolls, and every idle thing
That fancy finds in her excursive flights.

Come evening once again13, season of peace,
Return sweet evening, and continue long!
Methinks I see thee in the streaky west,
With matron-step slow-moving, while the night
Treads on thy sweeping train; one hand employ'd
In letting fall the curtain of repose1

11 The want of method pray excuse,
Allowing for a vapoured Muse;
Nor to a narrow path confined,
Hedge in by rules a roving mind.

12 To show the world how Garrick did

13 Come, pensive nun, devout and pure,

Sober, steadfast, and demure,
All in a robe of darkest grain
Flowing with majestic train;
And sable stole of Cyprus lawn
Over thy decent shoulders drawn,
Come, but keep thy wonted state
With even step, and pensive gait.

Spleen, p. 2. not act.

Book vi. 677.

H. Pers. 31.

14 Now came still evening on, and twilight grey Had in her sober livery all things clad; Silence accompanied, for beast and bird,

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