The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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... face page I 99 13 99 99 14 " " 22 99 99 25 29 VII . THESEUS AND THREE HORAE " " པ VIII . VICTORY AND THREE FATES 36 36 35 41 IX . MADRID PUTEAL , HELIOS AND SELENÈ " " 99 47 X. SOUTH METOPES XI . METOPE OF NORTH SIDE . 99 99 54 " " 1 36 ...
... face page I 99 13 99 99 14 " " 22 99 99 25 29 VII . THESEUS AND THREE HORAE " " པ VIII . VICTORY AND THREE FATES 36 36 35 41 IX . MADRID PUTEAL , HELIOS AND SELENÈ " " 99 47 X. SOUTH METOPES XI . METOPE OF NORTH SIDE . 99 99 54 " " 1 36 ...
Page 3
... face the Accordingly it was the second act of the drama which the visitor saw first as he approached the Parthenon . There he beheld Athenè contending with Poseidon , and only later , when he had passed round to the east front ...
... face the Accordingly it was the second act of the drama which the visitor saw first as he approached the Parthenon . There he beheld Athenè contending with Poseidon , and only later , when he had passed round to the east front ...
Page 22
... I FRAGMENT OF T. WEST PEDIMENT OF PARTHENON . FRAGMENT 3 METOPE ( 16 ) , OF SOUTH SIDE , IN BRITISH MUSEUM . PLATE IV . 2 BRONZE RELIEF IN BRITISH MUSEUM . POSEIDON AND NYMPHS . Face p . 22 . seated , moving uneasily , to the front . In.
... I FRAGMENT OF T. WEST PEDIMENT OF PARTHENON . FRAGMENT 3 METOPE ( 16 ) , OF SOUTH SIDE , IN BRITISH MUSEUM . PLATE IV . 2 BRONZE RELIEF IN BRITISH MUSEUM . POSEIDON AND NYMPHS . Face p . 22 . seated , moving uneasily , to the front . In.
Page 36
... face is too much damaged to convey any just idea of its original expression . All we can assert is that the forehead is very beautifully modelled and the eyebrows sharply defined , as in metal rather than in marble . The hair has been ...
... face is too much damaged to convey any just idea of its original expression . All we can assert is that the forehead is very beautifully modelled and the eyebrows sharply defined , as in metal rather than in marble . The hair has been ...
Page 46
Alexander Stuart Murray. A HELIOS IN CHARIOT . PLATE IX . I. BIRTH OF ATHENE MADRID PUTEAL . B C N SELENE IN CHARIOT . 2. SCULPTURES OF THE EAST PEDIMENT . Face p . 47 .
Alexander Stuart Murray. A HELIOS IN CHARIOT . PLATE IX . I. BIRTH OF ATHENE MADRID PUTEAL . B C N SELENE IN CHARIOT . 2. SCULPTURES OF THE EAST PEDIMENT . Face p . 47 .
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre Cephalos chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia original in Athens Parthenon frieze Pausanias peplos Pheidias Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen Selenè shield shoulders Slab south metopes south side spectator statuette temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia