And crumbling piecemeal view thy heartless halls,
A poet's wreath shall be thine only crown,
A poet's dungeon thy most far renown,
While strangers wonder o'er thy unpeopled walls!
And thou, Leonora !-thou-who wert ashamed
That such as I could love-who blush'd to hear
To less than monarchs that thou couldst be dear,
Go! tell thy brother, that my heart, untamed
By grief, years, weariness-and it may be
A taint of that he would impute to me--
From long infection of a den like this,
Where the mind rots congenial with the abyss,
Adores thee still;-and add-that when the towers
And battlements which guard his joyous hours
Of banquet, dance, and revel, are forgot,
Or left untended in a dull repose,
This-this-shall be a consecrated spot!
But thou-when all that birth and beauty throws
Of magic round thee is extinct-shalt have
One-half the laurel which o'ershades my grave.
No power in death can tear our names apart,
As none in life could rend thee from my heart,--
Yes, Leonora ! it shall be our fate
To be entwined for ever-but too late!
"Pallas te hoc vulnere, Pallas Immolat, et poenam scelerato ex sanguine sum.t." Eneid, lib. zii.
SLOW sinks, more lovely ere his race be run,
Along Morea's hills the setting sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O'er the hush'd deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old Ægina's rock and Hydra's isle
The god of gladness sheds his parting smile;
O'er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious gulf, unconquer'd Salamis !
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.
On such an eve his palest beam he cast
When, Athens! here thy wisest look'd his last.
How watch'd thy better sons his farewell ray,
That closed their murder'd sage'st latest day;
Not yet not yet-Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonising eyes,
And dark the mountain's once delightful dyes;
Gloom o'er the lovely land he seem'd to pour,
The land where Phoebus never frown'd before;
But ere he sunk below Citharon's head,
The cup of woe was quaff'd-the spirit fled;
The soul of him that scorn'd to fear or fly
Who lived and died as none can live or die.
This satire was written in censure of the Earl of Elgin for having despoiled the Parthenon of Athens of its most remarkable ancient monuments. Lord Byro afterwards suppressed the poem, and inserted the first 54 lines in the beginning o the third canto of the Corsair, where it will also be found.
+ Socrates drank the hemlock a short time before sunset (the hour of execution notwithstanding the entreaties of his disciples to wait till the sun went down.
But, lo! from high Hymettus to the plain
The queen of night asserts her silent reign ;*
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form.
With cornice glimmering as the moonbeams play
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o'er the minaret:
The groves of olive scatter'd dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,t
And sad and sombre 'mid the holy calm,
Near Theseus' fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that pass'd them heedless by.
Again the Egean, heard no more afar,
Lulls his chafed breast from elemental war;
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mix'd with the shades of many a distant isle,
That frown, where gentler ocean deigns to smile
As thus, within the walls of Pallas' fane,t
mark'd the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets' lore;
Oft as the matchless dome I turn'd to scan,
Sacred to gods, but not secure from man,
The past return'd, the present seem'd to cease,
And glory knew no clime beyond her Greece!
Hours rolled along, and Dian's orb on high
Had gain'd the centre of her softest sky;
And yet unwearied still my footsteps trod
O'er the vain shrine of many a vanish'd god:
But chiefly, Pallas! thine; when Hecate's glare,
Check'd by thy columns, fell more sadly fair
O'er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant form before me strode,
And Pallas hail'd me in her own abode !
Yes, 'twas Minerva's self; but, ah! how changed
Since o'er the Dardan field in arms she ranged.
Not such as erst, by her divine command,
Her form appear'd from Phidias' plastic hand:
The twilight in Greece is much shorter than in our own country; the days in winter are longer, but in summer of less duration.-B.
The kiosk is a Turkish summer-house; he palm is without the present walls of Athens, not far from the temple of Theseus, between which and the tree the wal intervenes. Cephisus' stream is indeed scanty and Ilissus has no stream at all.-B The Parthenon, or Temple of Minerva.
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seem'd weak and shaftless e'en to mortal glance;
The olive branch, which still she deign'd to clasp,
Shrunk from her touch, and wither'd in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimm'd her large blue eye;
Round the rent casque her owlet circled slow,
And mourn'd his mistress with a shriek of woe!
"Mortal-'twas thus she spake-" that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honour'd less by all, and least by me:
Chief of thy foes shall Pallas still be found.
Seek'st thou the cause of loathing ?-look around.
Lo! here, despite of war and wasting fire,
I saw successive tyrannies expire.
'Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain.
These Cecrops placed, this Pericles adorn'd,*
That Adrain rear'd when drooping Science mourn'd.
What more I owe let gratitude attest-
Know Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name;
For Elgin's fame thus grateful Pallas pleads,
Below, his name-above, behold his deeds!
Be ever hail'd with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the lion quits his fell repast,
Next prowls the wolf, the filthy jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the gods are just, and crimes are cross'd:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian's beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva's shame."
She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
Daughter of Jove! in Britain's injured name,
A true-born Briton may the deed disclaim.
This is spoken of the city in general, and not of the Acropolis in particular
The temple of Jupiter Olympius, by some supposed the Parthenon, was Anished by
Hadrian; sixteen columns are standing, of the most beautiful marble architecture
+ His lordship's name, and that of one who no longer bears it, are carved conspl. tuously on the Parthenon; above, in a part not far distant, are the torn remnants of the basso relievos, destroyed in a vain attempt to remove them.-B.
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