The Philosophy of RhetoricHarper & brothers, 1846 - 435 pages |
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Page ix
... Moral , with the principal Distinctions between them ib . 1. Experience .......... Part III . The Subdivisions of Moral Reasoning 2. Analogy 3. Testimony Part II . The Nature and Origin of Experience .. 69 70 72 75 76 4. Calculations of ...
... Moral , with the principal Distinctions between them ib . 1. Experience .......... Part III . The Subdivisions of Moral Reasoning 2. Analogy 3. Testimony Part II . The Nature and Origin of Experience .. 69 70 72 75 76 4. Calculations of ...
Page 24
... moral reasoning , admit degrees of evidence , its perfec- tion in point of eloquence , if so uncommon an application of the term may be allowed , consists in perspicuity . Perspi- cuity here results entirely from propriety and ...
... moral reasoning , admit degrees of evidence , its perfec- tion in point of eloquence , if so uncommon an application of the term may be allowed , consists in perspicuity . Perspi- cuity here results entirely from propriety and ...
Page 25
... moral sentiments . Now the immediate view of whatever is directed to the imagina- tion ( whether the subject be things inanimate or aninal forms , whether characters , actions , incidents , or manne.s ) terminates in the gratification ...
... moral sentiments . Now the immediate view of whatever is directed to the imagina- tion ( whether the subject be things inanimate or aninal forms , whether characters , actions , incidents , or manne.s ) terminates in the gratification ...
Page 36
... morality a crime The most notorious of the time ; Morality , which both the saints And wicked too cry out against ? * Universal Passion . Ibid , part ii . , canto 3 . Hudibras , part iii . , canto 1 . ' Cause grace and virtue are within ...
... morality a crime The most notorious of the time ; Morality , which both the saints And wicked too cry out against ? * Universal Passion . Ibid , part ii . , canto 3 . Hudibras , part iii . , canto 1 . ' Cause grace and virtue are within ...
Page 38
... moral painting , and differs from wit only in these two things : first , in that character alone is the subject of the former , whereas all things whatever fall within the province of the latter ; secondly , humour paints more simply by ...
... moral painting , and differs from wit only in these two things : first , in that character alone is the subject of the former , whereas all things whatever fall within the province of the latter ; secondly , humour paints more simply by ...
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Common terms and phrases
45 cents 90 cents adjective admit adverb affirmed ambiguity antonomasia appear application argument ascer beauty catachresis cause circumstances clause common conjunctions connexion connexive consequence considered contrary critics denominated denote discourse doth Dunciad effect eloquence employed English equal eral evidence example expression farther former French frequently give grammatical hath hearers HISTORY Hudibras ideas idiom imagination impropriety instance justly kind language Latin latter Lysias manner meaning ment metaphor metonymy mind moral nature never noun object obscurity observed occasion orator particular passage passion perhaps periphrasis person perspicuity philosophy phrases pleonasm poet preceding preposition preterit principles produce pronoun proper properly qualities Quintilian reason regard relation remark render resemblance respect sense sensible sentence sentiments serve signified sion solecism sometimes sophism sound speak speaker species Spect spondee style syllables synecdoche Tatler tence term things thought tion tongue tropes truth verb vivacity wherein words writers
Popular passages
Page 374 - Doubtless thou art our father, though Abraham be ignorant of us, and Israel acknowledge us not: thou, O LORD, art our father, our redeemer ; thy name is from everlasting.
Page 369 - Therefore whosoever heareth these sayings of mine, and doeth them, I will liken him unto a wise man, which built his house upon a rock : and the rain descended, and the floods came, and the winds blew, and beat upon that house ; and it fell not : for it was founded upon a rock.
Page 398 - Peace to all such! but were there one whose fires True genius kindles, and fair fame inspires; Blest with each talent, and each art to please, And born to write, converse, and live with ease; Should such a man, too fond to rule alone, Bear, like the Turk, no brother near the throne...
Page 315 - For, lo, the winter is past, The rain is over and gone; The flowers appear on the earth; The time of the singing of birds is come, And the voice of the turtle is heard in our land; The fig tree putteth forth her green figs, And the vines with the tender grape give a good smell, Arise, my love, my fair one, and come away.
Page 197 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Page 272 - From harmony, from heavenly harmony This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Page 432 - Here will I hold. If there's a power above us — And that there is, all nature cries aloud Through all her works — He must delight in virtue; And that which He delights in must be happy.
Page 35 - Transform'd to combs, the speckled and the white. Here files of pins extend their shining rows, Puffs, powders, patches, bibles, billet-doux. Now awful beauty puts on all its arms ; The fair each moment rises in her charms...
Page 248 - To this succeeded that licentiousness which entered with the restoration, and, from infecting our religion and morals, fell to corrupt our language ; which last was not like to be much improved by those who at that time made up the court of king Charles the Second ; either such...
Page 340 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.