Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 pages |
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Page 93
... emotion in these Americans in his wide gallery is frustrated , buried , or lost . Instead , renunciation , tenderness , pity , are likely to be dominant among them . The finest of these feelings do not belong to the primary emotions ...
... emotion in these Americans in his wide gallery is frustrated , buried , or lost . Instead , renunciation , tenderness , pity , are likely to be dominant among them . The finest of these feelings do not belong to the primary emotions ...
Page 268
... emotion in the form of art is by finding an " objective correla- tive " ; in other words , a set of objects , a situa- tion , a chain of events which shall be the for- mula of that particular emotion ; such that when the external facts ...
... emotion in the form of art is by finding an " objective correla- tive " ; in other words , a set of objects , a situa- tion , a chain of events which shall be the for- mula of that particular emotion ; such that when the external facts ...
Page 522
... emotion from an intuition by it is not always easy , nor is a description of an emotion always in practice dis- tinguishable from an emotion . Certainly we must trust our feelings - in the sense of acting upon them . We have nothing ...
... emotion from an intuition by it is not always easy , nor is a description of an emotion always in practice dis- tinguishable from an emotion . Certainly we must trust our feelings - in the sense of acting upon them . We have nothing ...
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write