Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 pages |
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Page 116
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " R EVOLUTIONARY critics have frequently as- sured the ...
... observed that understanding ceases when we cease to wonder , that , as Pascal , a less complacent man , observed " there are reasons of the heart of which Reason knows nothing . " R EVOLUTIONARY critics have frequently as- sured the ...
Page 213
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the transcendent excellence of Homer is manifest . He never attempts to make the whole war of Troy the ...
... observation will be manifest . For example Aeschylus and Euripides each com- posed the same iambic line . But the ... observed , the transcendent excellence of Homer is manifest . He never attempts to make the whole war of Troy the ...
Page 236
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
... observed in it ; for there appear two actions in the play ; the first naturally ending with the fourth act ; the second forced from it in the fifth ; which yet is the less to be condemned in him , because the dis- guise of Volpone ...
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write