Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 pages |
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Page 36
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
Page 39
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . - On the other hand ...
... pleasure - an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . - On the other hand ...
Page 466
... Pleasure or good , in a general sense , is that which the conscious- ness of a sensitive and intelligent being seeks , and in which , when found , it acquiesces . There are two kinds of pleasure , one durable , uni- versal , and ...
... Pleasure or good , in a general sense , is that which the conscious- ness of a sensitive and intelligent being seeks , and in which , when found , it acquiesces . There are two kinds of pleasure , one durable , uni- versal , and ...
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Common terms and phrases
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write