Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 pages |
From inside the book
Results 1-3 of 78
Page 7
... true opinion than he will have knowledge about the goodness or badness of his imitations ? The imitative artist will be in a brilliant state of intelligence about his own creations ? Nay , very much the reverse . And still he will go on ...
... true opinion than he will have knowledge about the goodness or badness of his imitations ? The imitative artist will be in a brilliant state of intelligence about his own creations ? Nay , very much the reverse . And still he will go on ...
Page 8
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
Page 486
... true , the divine Eros - the Uranian , as distinguished from the Dionæan Venus is unquestionably the purest and truest of all poetical themes . And in regard to Truth -if , to be sure , through the attainment of a truth , we are led to ...
... true , the divine Eros - the Uranian , as distinguished from the Dionæan Venus is unquestionably the purest and truest of all poetical themes . And in regard to Truth -if , to be sure , through the attainment of a truth , we are led to ...
Other editions - View all
Common terms and phrases
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write