Artistic amusements |
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Page 50
... stick , palettes , brushes , dabbers , gold pen , and plenty of waste linen , clean and free from fluff . The glass for the slides must be very carefully selected ; it should be plate glass cut to the size of the object glass in the ...
... stick , palettes , brushes , dabbers , gold pen , and plenty of waste linen , clean and free from fluff . The glass for the slides must be very carefully selected ; it should be plate glass cut to the size of the object glass in the ...
Page 58
... stick the flat part at the back of the card ( top edge ) , with the triangular piece folded over on the face of the etching , and write on it the name of the person who is to occupy the seat at which the card is placed . Cut a piece of ...
... stick the flat part at the back of the card ( top edge ) , with the triangular piece folded over on the face of the etching , and write on it the name of the person who is to occupy the seat at which the card is placed . Cut a piece of ...
Page 64
... stick . When quite melted brush it on the canvas thinly , but all over , with a painter's brush ; rather a large one is best , as it can be done quicker with it . Work quickly in a warm place , keeping the size hot until both sides of ...
... stick . When quite melted brush it on the canvas thinly , but all over , with a painter's brush ; rather a large one is best , as it can be done quicker with it . Work quickly in a warm place , keeping the size hot until both sides of ...
Page 67
... sticks , and avoidance of unnatural stiffness . Let them be thoroughly dry , but do not peel or pare them . The sticks should slightly decrease in size towards the top , and if one of them has a fork about 2 in . long , it adds much to ...
... sticks , and avoidance of unnatural stiffness . Let them be thoroughly dry , but do not peel or pare them . The sticks should slightly decrease in size towards the top , and if one of them has a fork about 2 in . long , it adds much to ...
Page 68
... sticks and slightly lap over , still in the way of the grain , and glue it well , rubbing the liquid thoroughly into the hollows formed by the frosting ; place the foil round the sticks and squeeze it so that it adheres to the wood . If ...
... sticks and slightly lap over , still in the way of the grain , and glue it well , rubbing the liquid thoroughly into the hollows formed by the frosting ; place the foil round the sticks and squeeze it so that it adheres to the wood . If ...
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Common terms and phrases
13th century amateur angels Apostles artist aureole border brush burnisher burnt sienna canvas carmine century Chinese white Christ Church cloth gilt clouds contrast cover crimson lake D. T. FISH dabber denote depicted dots drying oil edge effect emblem employed entirely evenly flowers foil gall stone gamboge glass glue gold leaf Gospel Greek crosses green grey hair head heavenly illumination Illustrated Indian red Indian yellow indigo JAMES BRITTEN Jophiel laid letters light lighter lines looked madder brown magic lantern martyrs mixed neutral tint oil colours ornamental outline painted palette knife panel paper Patriarchal Cross patron saint piece placed Prussian blue purple represented rose madder round rubbing screen scroll seraphim serpent shades shadows side silver slides sometimes spatter sticks surface symbol turpentine ultramarine Vandyke brown varnish vellum vermilion Virgin wall water colours wings words