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Tenth

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THE FIRST VOLUME of the STRATFORD

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UPON-AVON NOTE-BOOKS, containing Shakespearean Ex tracts from Edward Pudsey's Booke," temp. Q. Elizabeth and K. James I., which include some from an Unknown Play by WILLIAM SHAKESPEARE.' Collected by RICHARD SAVAGE, Sec. and Librarian, Shakespeare's Birthplace.

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LONDON, SATURDAY, SEPTEMBER 29, 1888.

CONTENTS.-N° 144.

NOTES:-Mrs. Siddons as Mary Stuart, 241-English Grammars, 243-Cromwell and Carlisle, 244-Portraits of Penn,

245-"Rusticus expectat," &c. - - Holy-bread - Privately
Printed Works-Watch Mending, 246.

QUERIES:-Chedreux-Discovery at Chelsea-Noy-Abp.
Melton's Register- Charlemagne. -The Birds of Man-
chester-A Dorchester Will-Courts of Love" Château
qui parle, femme qui écoute"-Brooke-Tooth-brushes, 247
English and Scottish Correspondence-Devil's Bible-
Hampton Court Guide-Books-Highland Life-Physique-
James Montgomery - Longfellow's Ancestors-Alone'-
Heraldic-Arms of Rev. John Denne-Samuel Daniel, 248-
Idiot - Benjamin Day-Cartmel - Compass Plant-Sny-
Belgian Custom-Surviving Friends of Wellington-Authors
Wanted, 249.
REPLIES:-Riddles on Trees, 249-Sons of Edward III., 250-
Gataker-Grange-Chaffer-Church Libraries-Inn Signs-
Attributes of the Deity, 251-Dalston-Hammond-Church
Vestments - Death of Charles I. -Gulliver's Travels '-
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Legenda Aurea'-Parodies of Scott's Prose, 254-Letter of
Mary Stuart-Initials after Names, 255-St. Thomas Apostle
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"Friar's lanthorn "-Extract from Parish Register, 257-
Dorothy Hall-Clergy and Religion-"Coups de Soleil "-
Scott of Mesangère-Relic of Witchcraft-Arms of Cities

and Towns-Samuel Foote, 258-Authors Wanted, 259. NOTES ON BOOKS:-'American Notes and Queries'

is brought to an effective close by her condemna-
tion of Mary. The fifth act, of four scenes, is laid
at Fotheringhay, and ends-not as Mr. Algernon
Swinburne ended his five-act tragedy, Mary
Stuart' (1881), with the description, by Mary
Beaton and Barbara Mowbray, of the actual execu-
tion-but with Mary's farewell to Melvin, followed
by these words :-

Bear witness all, tell it throughout the world,
But chiefly to my family in France,
That I die firmly in their holy faith!
And you, ye Ministers from England's Queen!
Tell her, she hath my pardon; and relate,
That, with my dying breath, I do beseech
Her kindness to my servants; and request
Safe conduct for them into France; that done,
I've naught to ask, but that my poor remains
May be bestow'd in Lorrain, or in France,
Where I may hope for pious obsequies;
For here the tombs of my progenitors
Are all profan'd-Remember my requests!-
Now lead me on in triumph, till I gain
Immortal joys, and an immortal reign.

On which scene the curtain falls. It must have
been a splendid impersonation, rivalling, if not
surpassing, that of Rachel in Racine's tragedy

Dunlop's History of Prose Fiction-Savage's Shake-Marie Stuart.' Mrs. Siddons was then thirtyspearean Extracts Cook's Handbook to the National Gallery'-Alexandrow's Russian Language'-Postgate's 'New Latin Primer'-Johnson's Early Writings of Thackeray'-'Book Prices Current.' Notices to Correspondents, &c.

:

Notes.

four years of age and in the fulness of her perfections, both as to nature and art. She had made her début at Drury Lane Theatre on Friday, Dec. 29, 1775, in 'The Merchant of Venice,' when the character of Portia was "performed by a Young Lady-her first appearance." She failed to please the critics, and had to appear in minor characters, in such pieces as 'The Blackamoor Washed White.' Then she practised her art in the provinces, and reappeared in London-this time with complete success-on Oct. 10, 1782.

It must have been with some revulsion of feel

MRS. SIDDONS AS MARY, QUEEN OF SCOTS. I have a copy of "Mary, Queen of Scots, a Tragedy as Performed at the Theatre Royal, Drury Lane. By the Honourable John St. John. London: Printed for J. Debrett, opposite Burlington House, Piccadilly. M,DCC,LXXXIX." (8vo., ing, although in accordance with the taste of a pp. 76). The tragedy is dedicated "To the Honour-century ago, that after Mary, Queen of Scots, had able Mrs. Bouverie," and is dated "Curzon Street, April 30, 1789." It has a prologue, written by Wm. Fawkener, Esq., and spoken by Mr. Wroughton, and an epilogue, written by the author and spoken by Mrs. Siddons. The dramatis persona

are:

"Men: Duke of Norfolk, Mr. Kemble. Sir William Cecil, Mr. Aickin. Lord Herries, Mr. Barrymore. Davison, Mr. Packer. Earl of Shrewsbury, Mr. Benson. Earl of Huntingdon, Mr. Phillimore. Sir Amias Paulet, Mr. Fawcett. Beton, Mr. Williames. Nawe, Mr. Alfred. Lieutenant of the Tower, Mr. Lyons. Sheriff, Mr. Chaplin.-Women: Queen Mary, Mrs. Siddons. Queen Elizabeth, Mrs. Ward. Lady Douglas, Mrs. Farmer. Lady Scrope, Miss Tidswell."

The tragedy is in five acts. The first, in two scenes, shows Mary at Bolton Castle. In the second act, of three scenes, which is laid at Whitehall, Elizabeth is the chief character. In the third act, of three scenes, laid at Tutbury Castle, Mary

The fourth act, of four scenes, goes reappears. back to Whitehall and Elizabeth, whose character

made her impressive exit, Mrs. Siddons had to immediately step before the curtain to speak the epilogue written by the author. It commenced

thus:

Were you not told, before the play began,
Our Author ventur'd on a daring plan?
A tale of woe, a deep historic Play
Giv'n in an age so debonnair and gay,
Was this a place to set up a defence,
And talk of injur'd Mary's innocence ?-
Of late discoveries, drawn from dates and worde,
Old rotten parchments, musty, dull records?
No-all is now for tinsel, show!-this age
Turns a deaf ear-but keenly views the stage!
The Tragic Muse, nay, all the sisters nine,
Are now eclips'd-Aladin's lamp doth shine!
Exulting o'er their tomb-now boxers spar !
And beaux, in raptures, envy every scar!
Learning and wit were once esteem'd, and then
The stage produced Ben Johnson [sic]-now, Big Ben !
Shakespeare make room for Humphries!-that's the
way

To bring the men of fashion to the play!

At the date of this address Humphries, "the

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