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An Introduction to I
The Dominance of Meaning
The Retreat from Vision
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abstract achievement activity actual aesthetic Agno animal appears asserts associated awareness beauty becomes beginning birds century characteristic Collins Collins's complex concern contrast course Cowper creates critical define demonstrates depends describe diction direct effect eighteenth-century emotional emphasis entire example experience expression fact fancy Fear feeling figure final force fully function Gray Gray's hand human hymns ideas imagery images imagination implies important Indolence insists interest kind language less lines meaning merely metaphor mind mode moral nature object observation offers opening passage pattern perceives perception personifications physical poem poet poet's poetic poetry possible praise precisely presentation produces provides reader reality reference relation reveals rhetorical scene Seasons seems sense significant Smart Song sort specific Spring stanza structure suggests technique things Thomson thought tion truth universe verse vision visual whole winter