Literary Criticism: A Short History. Classical and neo-classical criticism, Volume 1University of Chicago P., 1978 - 336 pages |
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Page 142
... romantic diversifi- cation ( both medieval and modern ) , it is relatively easy to see that rules of phonetic form in poetry arise in each age from the concrete nature of a spoken language . It worries us little that we have to accept ...
... romantic diversifi- cation ( both medieval and modern ) , it is relatively easy to see that rules of phonetic form in poetry arise in each age from the concrete nature of a spoken language . It worries us little that we have to accept ...
Page 246
... romantic " ideas which appeared during the 18th century in Eng- land . In a broader perspective , the most important new critical idea of the early eighteenth century was that concerning metaphor and its relation to the rise of human ...
... romantic " ideas which appeared during the 18th century in Eng- land . In a broader perspective , the most important new critical idea of the early eighteenth century was that concerning metaphor and its relation to the rise of human ...
Page 307
... romantic poets were later on to say about emotion in the high tide of their revulsion from the mechanistic phases of as- sociation theory . " Hartley's system totters , " wrote Coleridge to Southey in 1803. Why did Hartley's system ...
... romantic poets were later on to say about emotion in the high tide of their revulsion from the mechanistic phases of as- sociation theory . " Hartley's system totters , " wrote Coleridge to Southey in 1803. Why did Hartley's system ...
Contents
Socrates and the Rhapsode PAGE | 3 |
The Internal Focus 555 | 16 |
Poetry as Structure | 21 |
Copyright | |
15 other sections not shown
Common terms and phrases
18th century Addison aesthetic Alexander Pope ancient appears Aquinas argument Aristotelian Aristotle Aristotle's Atkins Augustan beauty Ben Jonson Book character classical comedy comic concept dialectic dialogue discourse divine doctrine drama Dryden emotion English Ennead epic Epistle Essay ethical fact figures French genius genre Greek hamartia heroic Homer Horace Horatian human humour ideal ideas imagination imitation instance Isocrates Johnson kind later less literary criticism literary theory literature London Longinus meaning medieval metaphor metaphysical mind Minturno modern moral nature neo-classic neo-Platonic object painting passage passions perhaps peripeteia Phaedrus philosopher Plato play pleasure Plotinus poem Poesy poet poetic poetry Pope Pope's principle Quintilian quoted reason Renaissance rhetoric rhetorician romantic Samuel Johnson satire sense Socrates soul speech style sublime Summa Theologiae symbolic term theme theorist things thought tion tragedy tragic translation treatise truth unity verbal verse words writing York