Literary Criticism: A Short History. Classical and neo-classical criticism, Volume 1University of Chicago P., 1978 - 336 pages |
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Page 59
... speech - either an actual speech of the orator Lysias or a parody — an academic invective against ardent lovers . The objections of Socrates are two : that the speech is wrongheaded ( though he ironically professes not to urge this ) ...
... speech - either an actual speech of the orator Lysias or a parody — an academic invective against ardent lovers . The objections of Socrates are two : that the speech is wrongheaded ( though he ironically professes not to urge this ) ...
Page 61
... speech , and that it is badly written . And both these things are true , implies Socrates , because the author does not know what he is talking about . The next step in the dramatically conceived argument is accom- plished by a second ...
... speech , and that it is badly written . And both these things are true , implies Socrates , because the author does not know what he is talking about . The next step in the dramatically conceived argument is accom- plished by a second ...
Page 248
... speech , and without requiring any corporeal matter on which to operate , display intellect as embodied in written language . Under this are in- cluded , first , the art of poetry , and the kindred art of narration or history ; next ...
... speech , and without requiring any corporeal matter on which to operate , display intellect as embodied in written language . Under this are in- cluded , first , the art of poetry , and the kindred art of narration or history ; next ...
Contents
Socrates and the Rhapsode PAGE | 3 |
The Internal Focus 555 | 16 |
Poetry as Structure | 21 |
Copyright | |
15 other sections not shown
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18th century Addison aesthetic Alexander Pope ancient appears Aquinas argument Aristotelian Aristotle Aristotle's Atkins Augustan beauty Ben Jonson Book character classical comedy comic concept dialectic dialogue discourse divine doctrine drama Dryden emotion English Ennead epic Epistle Essay ethical fact figures French genius genre Greek hamartia heroic Homer Horace Horatian human humour ideal ideas imagination imitation instance Isocrates Johnson kind later less literary criticism literary theory literature London Longinus meaning medieval metaphor metaphysical mind Minturno modern moral nature neo-classic neo-Platonic object painting passage passions perhaps peripeteia Phaedrus philosopher Plato play pleasure Plotinus poem Poesy poet poetic poetry Pope Pope's principle Quintilian quoted reason Renaissance rhetoric rhetorician romantic Samuel Johnson satire sense Socrates soul speech style sublime Summa Theologiae symbolic term theme theorist things thought tion tragedy tragic translation treatise truth unity verbal verse words writing York