Mar. He thinks he has good cards for her, and likes His game well. And perfumes that exceed all: train of servants, To stifle us at home and show abroad, More motley than the French or the Venetian, About your coach, whose rude postilion Must pester every narrow lane, till passengers And common cries pursue your ladyship And tradesmen curse your choking up their stalls, For hind'ring o' the market. Aret. Have you done, sir? Born. I could accuse the gaiety of your wardrobe And prodigal embroideries, under which Rich satins, plushes, cloth of silver, dare Not show their own complexions. Your jewels, And show like bonfires on you by the tapers. Aret. Pray do; I like Your homily of thrift. Born. I could wish, madam, You would not game so much. Aret. A gamester too? Born. But are not come to that repentance yet Should teach you skill enough to raise your profit; You look not through the subtlety of cards And mysteries of dice, nor can you save Charge with the box, buy petticoats and pearls; Nor do I wish you should. My poorest servant Shall not upbraid my tables, nor his hire, Purchas'd beneath my honour. You may play, Not a pastime, but a tyranny, and vex Yourself and my estate by 't. Aret. Good-proceed. Born. Another game you have, which consumes more Your fame than purse; your revels in the night, Your meetings called the ball, to which appear, As to the court of pleasure, all your gallants And ladies, thither bound by a subpæna Of Venus and small Cupid's high displeasure; Into more costly sin. There was a play on 't, Some darks had been discover'd, and the deeds too; Aret. Have you concluded Your lecture? Born. I have done; and howsoever To your delights, without curb to their modest In the 'Ball,' a comedy partly by Chapman, but chiefly by Shirley, a coxcomb (Bostock), crazed on the point of family, is shown up in the most admirable manner. Sir Marmaduke Travers, by way of fooling him, tells him that he is rivalled in his suit of a particular lady by Sir Ambrose Lamount. Bos. Be an understanding knight, And take my meaning; if he cannot show Mar. I do not know how rich he is in fields, But he is a gentleman. Bos. Is he a branch of the nobility? How many lords can he call cousin ? else Mar. You will not kill him? Bos. You shall pardon me; I have that within me must not be provok'd; Mar. Some living that have been kill'd? Bos. I mean some living that have seen examples, Not to confront nobility; and I Mar. His name is Sir Ambrose. Bos. Lamount; a knight of yesterday, And he shall die to-morrow; name another. Mar. Not so fast, sir; you must take some breath. Bos. I care no more for killing half a dozen To kick any footman; an Sir Ambrose were Enter SIR AMBROSE LAMOUNT. Mar. Unluckily he's here, sir. Bos. Sir Ambrose, Bos. I think it would not; so my lord told me ; Thou know'st my lord, not the earl, my other Cousin? there's a spark his predecessors Have match'd into the blood; you understand He put me upon this lady; I proclaim No hopes; pray let's together, gentlemen; If she be wise-I say no more; she shall not Cost me a sigh, nor shall her love engage me To draw a sword; I have vow'd that. Mar. You did but jest before. Amb. "Twere pity that one drop Of your heroic blood should fall to th' ground: There was a long cessation of the regular drama. In 1642, the nation was convulsed with the elements of discord, and in the same month that the sword 1 was drawn, the theatres were closed. On the 2d of September, the Long Parliament issued an ordinance, 'suppressing public stage plays throughout the kingdom during these calamitous times. An infraction of this ordinance took place in 1644, when some players were apprehended for performing Beaumont and Fletcher's 'King and no King'-an ominous title for a drama at that period. Another ordinance was issued in 1647, and a third in the following year, when the House of Commons appointed a provost marshall, for the purpose of suppressing plays and seizing ballad singers. Parties of strolling actors occasionally performed in the country; but there was no regular theatrical performances in London, till Davenant brought out his opera, the Siege of Rhodes, in the year 1656. Two years afterwards, he removed to the Cockpit Theatre, Drury Lane, where he performed until the eve of the Restoration. A strong partiality for the drama existed in the nation, which all the storms of the civil war, and the zeal of the Puritans, had not been able to crush or subdue. MISCELLANEOUS PIECES OF THE PERIOD 1558-1649. [Convivial Song, by Bishop Still.] [From the play of Gammer Gurton's Needle,' about 1565.] I nothing am a-cold; Back and side go bare, go bare; Both foot and hand go cold; But, belly, God send thee good ale enough, I love no roast but a nut-brown toast, And little bread shall do me stead; Much bread I nought desire. No frost, no snow, no wind, I trow, Can hurt me if I wold, I am so wrapp'd, and thoroughly lapp'd, Of jolly good ale and old. Back and side, &c. And Tib, my wife, that as her life And saith, 'Sweetheart, I took my part Now let them drink till they nod and wink, Even as good fellows should do ; They shall not miss to have the bliss Good ale doth bring men to. And all poor souls that have scour'd bowls, Or have them lustily troul'd, God save the lives of them and their wives, Whether they be young or old. My Mind to me a Kingdom is. Such perfect joy therein I find, That God or nature hath assign'd: Though much I want that most would have, No princely port, nor wealthy store, No shape to win a loving eye; And hasty climbers soonest fall; Mishap doth threaten most of all; These get with toil, and keep with fear: Such cares my mind can never bear. I press to bear no haughty sway; I wish no more than may suffice; I do no more than well I may, Look what I want, my mind supplies; Lo, thus I triumph like a king, My mind's content with anything. I laugh not at another's loss, Nor grudge not at another's gain; No worldly waves my mind can toss; I brook that is another's bane; I fear no foe, nor fawn on friend; I loathe not life, nor dread mine end. My wealth is health and perfect ease, And conscience clear my chief defence; I never seek by bribes to please, Nor by desert to give offence; Thus do I live, thus will I die; Would all do so as well as I! Song. [From the same.] What pleasure have great princes More dainty to their choice, Than herdsmen wild, who careless In quiet life rejoice: And Fortune's fate not fearing, Their dealings plain and rightful, It is to feel and wait For lawyers and their pleading Not caring much for gold, Meditation when we go to Bed. [From the Handful of Honeysuckles.' By William Hunnis: 1585.] O Lord my God, I wandered have And have in thought, in word, and deed, 15 "From the Poor Widow's Mite." By William Hunnis: 1585.] Thou, God, that know'st the thoughts of men Thou, God, whom neither tongue of man Nor angel can express; Thou, God, it is that I do seek, Thou pity my distress! Thy seat, O God, is everywhere, Thy power all powers transcend; Thy wisdom cannot measured be, For that it hath no end! Thou art the power and wisdom too, But I a lump of sinful flesh, Thou art by nature merciful, The thrall of sin and shame: Then let thy nature, O good God ! And cleanse the nature of my sin, And heal my misery. One depth, good Lord, another craves; My depth of sinful crime Requires the depth of mercy great, For saving health in time. Sweet Christ, grant that thy depth of grace May swallow up my sin; That I thereby may whiter be, Than even snow hath been. Preferring poverty before a dangerous life in wealth. When Curan heard of her escape, the anguish in his heart Was more than much; and after her from court he did depart: Forgetful of himself, his birth, his country, friends, and all, And only minding whom he mist-the foundress of his thrall! Normeans he after to frequent, or court, or stately towns, So wasting, love, by work and want, grew almost to the wane: But then began a second love, the worser of the twain! A country wench, a neatherd's maid, where Curan kept his sheep, Did feed her drove; and now on her was all the shepherd's keep. He borrow'd, on the working days, his holly ruffets oft: And of the bacon's fat, to make his startups black and soft: And lest his tar-box should offend, he left it at the fold; Sweet growt or whig, his bottle had as much as it I pray thee, nay, conjure thee, too, to nourish as thine would hold; own A sheave of bread as brown as nut, and cheese as white Thy niece, my daughter Argentile, till she to age be grown, For beauty: though I clownish am, I know what beauty is, Or did I not, yet, seeing thee, I senseless were to miss. Suppose her beauty Helen's like, or Helen's somewhat less, And every star consorting to a pure complexion guess. she.' They sweetly surfeiting in joy, and silent for a space, Whereas the ecstacy had end, did tenderly embrace; And for their wedding, and their wish, got fitting time and place. Thy twice beloved Agentile submitteth her to thee: And for thy double love presents herself a single fee; In passion, not in person chang'd, and I, my lord, am Sonnet. [By George Chapman, the Translator of Homer: 1595.] Muses, that sing Love's sensual empirie, And lovers kindling your enraged fires At Cupid's bonfires burning in the eye, Blown with the empty breath of vain desires; You, that prefer the painted cabinet Before the wealthy jewels it doth store ye, That all your joys in dying figures set, And stain the living substance of your glory; Abjure those joys, abhor their memory; And let my love the honour'd subject be Of love and honour's complete history ! Your eyes were never yet let in to see The majesty and riches of the mind, That dwell in darkness; for your god is blind. The Woodman's Walk. (From England's Helicon,' 1600, where it is signed, 'Shep. Tonie.'"] Through a fair forest as I went, I met a woodman, quaint and gent, I marvell'd much at his disguise, But thus, in terms both grave and wise, Friend! muse not at this fond array, Long liv'd I in this forest fair, My first day's walk was to the court, For falsehood sat in fairest looks, Desert went naked in the cold, When crouching craft was fed : Wit was employed for each man's own; Unto the city next I went, Where liberally I launcht and spent, The little stock I had in store, For, when I spent, then they were kind; Once more for footing yet I strove, And, lest once more I should arise, And in my mind (methought), I said, Yet would I not give over so, There did appear no subtle shows, More craft was in a buttoned cap, There was no open forgery Some good bold face bears out the wrong, The poor man's back is crack'd ere long, And no degree, among them all, Back to the woods I got again, There city, court, nor country too, There live I quietly alone, There is a Garden in her Face. [From 'An Hour's Recreation in Music,' by Rich. Alison: 1606.] There is a garden in her face, Where roses and white lilies grow; Those cherries fairly do inclose Which when her lovely laughter shows, Yet them no peer nor prince may buy, |