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Contents
LEONARDO DA VINCIS PHILOSOPHY OF ORIGINALITY | 1 |
FROM ANALYSIS TO CREATION | 17 |
THE PARADOX OF RELIGIOUS POETRY | 38 |
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accept action American appears artist attempt become beginning believe called cause century character choice Christian conception concerned Constitution course Court created critics effect elements Eliot emotion evil example existence experience expression fact faith feeling final follow force Fortune give hand human ideas imagination important individual interest interpretation Jean kind knowledge later Leonardo less living look Machiavelli mathematical matter meaning Melville mind moral nature never novel object observed once originality painting past perhaps philosophy poet poetry political position possible present principle problem Proust question reader reality reason relation religious seems sense shows social statement story structure suggests symbols theory things thought tion tradition true truth turn universe vision whole writing York