Elements of CriticismA. S. Barnes, 1883 - 486 pages |
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Page 9
... sense . The power or faculty from which perception pro- ceeds , is termed an external sense . This distinction refers to the objects of our knowledge ; for the senses , whether external or in- ternal , are all of them powers or ...
... sense . The power or faculty from which perception pro- ceeds , is termed an external sense . This distinction refers to the objects of our knowledge ; for the senses , whether external or in- ternal , are all of them powers or ...
Page 10
... sense is a general term for every external thing we perceive ; and sensation a general term for every pleasure and pain felt at the organ of sense . 11. Conception is different from perception . The latter includes a conviction of the ...
... sense is a general term for every external thing we perceive ; and sensation a general term for every pleasure and pain felt at the organ of sense . 11. Conception is different from perception . The latter includes a conviction of the ...
Page 11
... sense , to signify what we feel or are conscious of : and in that sense it is a general term for all our passions and emotions , and for all our other pleasures and pains . 13. That we cannot perceive an external object till an impres ...
... sense , to signify what we feel or are conscious of : and in that sense it is a general term for all our passions and emotions , and for all our other pleasures and pains . 13. That we cannot perceive an external object till an impres ...
Page 14
... sense , is always simple . The color , figure , umbrage of a spreading oak , raise not different perceptions : the perception is one , that of a tree , colored , figured , & c . A quality is never perceived separately from the subject ...
... sense , is always simple . The color , figure , umbrage of a spreading oak , raise not different perceptions : the perception is one , that of a tree , colored , figured , & c . A quality is never perceived separately from the subject ...
Page 15
... senses too faint and obscure for language . An idea thus acquired of an object at second - hand , ought to be distinguished from an idea of memory , though their resemblance has occasioned the same term idea to be applied to both ...
... senses too faint and obscure for language . An idea thus acquired of an object at second - hand , ought to be distinguished from an idea of memory , though their resemblance has occasioned the same term idea to be applied to both ...
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accent action Æneid agreeable appear beauty blank verse burlesque Cæsar chapter circumstance colors congruity connected degree dignity disagreeable distinguished effect elevation emotion raised epic epic poem epic poetry example expression external signs Falstaff feeling figure figure of speech garden give grandeur habit hath Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression instances Julius Caesar kind language less light manner means melody metaphor mind motion nature never observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perceptions person pleasant emotion pleasure poem poetry principle produce produceth proper propriety qualities reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule sense sensible sentiments Shakspeare short syllables simile sound spectator speech sublime syllables taste termed thee things thou thought tion tone uniformity variety verse words writers York American