Elements of CriticismA. S. Barnes, 1883 - 486 pages |
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Page 11
... sensible of the impression : in touching , in tasting , and in smelling , we are sensible of the impression ; but not in seeing and hearing . We know indeed from experiments , that before we perceive a visible object , its image is ...
... sensible of the impression : in touching , in tasting , and in smelling , we are sensible of the impression ; but not in seeing and hearing . We know indeed from experiments , that before we perceive a visible object , its image is ...
Page 12
... sensible are perceived and remem- bered by mans of sensible phantasms , and things intelligible by intelligible phantasms ; and that these phantasins have the form of the object without the matter , as the impression of a scal upon wax ...
... sensible are perceived and remem- bered by mans of sensible phantasms , and things intelligible by intelligible phantasms ; and that these phantasins have the form of the object without the matter , as the impression of a scal upon wax ...
Page 24
... sensible of the impression ; that , for example , which is made upon the hand by a stone , upon the palate by an apricot , and upon the nostrils by a rose . It is otherwise in seeing and hearing ; for I am not sensible of the impression ...
... sensible of the impression ; that , for example , which is made upon the hand by a stone , upon the palate by an apricot , and upon the nostrils by a rose . It is otherwise in seeing and hearing ; for I am not sensible of the impression ...
Page 25
Lord Henry Home Kames James Robert Boyd. them , produced without any sensible organic impression . Their mixed nature and middle place between organic and intellectual pleasures , qualify them to associate with both . The pleasures of ...
Lord Henry Home Kames James Robert Boyd. them , produced without any sensible organic impression . Their mixed nature and middle place between organic and intellectual pleasures , qualify them to associate with both . The pleasures of ...
Page 30
... sensible of its extent and difficulty , to undertake it professedly , or to avow it as the chief purpose of the present work . 51. To censure works , not men , is the just prerogative of criticism , and accordingly all personal censure ...
... sensible of its extent and difficulty , to undertake it professedly , or to avow it as the chief purpose of the present work . 51. To censure works , not men , is the just prerogative of criticism , and accordingly all personal censure ...
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accent action Æneid agreeable appear beauty blank verse burlesque Cæsar chapter circumstance colors congruity connected degree dignity disagreeable distinguished effect elevation emotion raised epic epic poem epic poetry example expression external signs Falstaff feeling figure figure of speech garden give grandeur habit hath Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression instances Julius Caesar kind language less light manner means melody metaphor mind motion nature never observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perceptions person pleasant emotion pleasure poem poetry principle produce produceth proper propriety qualities reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule sense sensible sentiments Shakspeare short syllables simile sound spectator speech sublime syllables taste termed thee things thou thought tion tone uniformity variety verse words writers York American