The Life and Works of Robert SchumannG. Bell, 1900 - 276 pages |
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Page 14
... moved to test for himself the merits of a method which had produced such results . He took lessons of Wieck , and gave himself up with the utmost fervour to those purely technical studies which he had hitherto neglected . He still ...
... moved to test for himself the merits of a method which had produced such results . He took lessons of Wieck , and gave himself up with the utmost fervour to those purely technical studies which he had hitherto neglected . He still ...
Page 16
... moved by no external reason to submit his efforts to the judgment of the older and more experienced song - writer , we have strong proof that at this time it was only the charm of the melody which moved him , in which he revelled , and ...
... moved by no external reason to submit his efforts to the judgment of the older and more experienced song - writer , we have strong proof that at this time it was only the charm of the melody which moved him , in which he revelled , and ...
Page 29
... moved to a house in Reichel's Garden . The favourable situation of this house exercised a beneficent influence upon him , and many an outburst of juvenile mirth brightened the circle of young friends in consequence . Unfortunately , in ...
... moved to a house in Reichel's Garden . The favourable situation of this house exercised a beneficent influence upon him , and many an outburst of juvenile mirth brightened the circle of young friends in consequence . Unfortunately , in ...
Page 43
... moved . " We see from these communications that Schumann had constructed a complete image of the Carnival in his fancy , nor do we lack even the typical masquerade figures : clown , harle- quin , pantaloon , and columbine . The other ...
... moved . " We see from these communications that Schumann had constructed a complete image of the Carnival in his fancy , nor do we lack even the typical masquerade figures : clown , harle- quin , pantaloon , and columbine . The other ...
Page 76
... moved freely and unfettered in a truly sensuous revelry with charming harmonies , melodies , and the captivating effects of sound . He could not therefore find the new instrumental style invented by Schumann , because he did not provide ...
... moved freely and unfettered in a truly sensuous revelry with charming harmonies , melodies , and the captivating effects of sound . He could not therefore find the new instrumental style invented by Schumann , because he did not provide ...
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Common terms and phrases
adagio Allegro already artistic Bach ballad Beethoven characteristic choral chords chorus Clara Clara Schumann Clara Wieck close composer composition concert construction critical Davidites distinct dramatic emotion English Engravings entire Eusebius expression farther Faust feeling Ferdinand Hiller flat major Florestan Franz Schubert Friedrich Rückert Friedrich Wieck fugue gained Genoveva give harmony Heine Heinrich Heine History idea Illustrations images imagination individual influence inspired Introduction Leipsic letter lyric master meaning melody Mendelssohn ment merely motive movement Mozart musician nature Notes opera orchestra original overture peculiar perfect Peri Phantasiestücke piano accompaniment pianoforte picture poem poet poetic polyphonic Portraits quartet regard Robert Robert Reinick ROBERT SCHUMANN romantic scarcely scherzo Schu Schubert Schumann seems solo sonata songs soul spirit studies style symphony theme tion tone Trans Translated treatment variations various verse violin violoncello vocal voice vols whole wholly Wieck Woodcuts write written Zwickau
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