The Life and Works of Robert SchumannG. Bell, 1900 - 276 pages |
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Page 107
... Soprano and Tenor , with Pianoforte Accompani- ment ; " and Op . 43 , " Three Duets for two Female Voices , ” also written in 1840 , owe their origin to this new bent of his industry . It was certainly no easy task for him to adapt his ...
... Soprano and Tenor , with Pianoforte Accompani- ment ; " and Op . 43 , " Three Duets for two Female Voices , ” also written in 1840 , owe their origin to this new bent of his industry . It was certainly no easy task for him to adapt his ...
Page 146
... soprano , alto , tenor , and bass - probably from a desire to avoid monotony ; perhaps induced to do so also by the vocal melody . The narrative must necessarily become mono- tonous , because even here Schumann strives after for- mal ...
... soprano , alto , tenor , and bass - probably from a desire to avoid monotony ; perhaps induced to do so also by the vocal melody . The narrative must necessarily become mono- tonous , because even here Schumann strives after for- mal ...
Page 153
... soprano ) aria , " Deserted youth ! " he begins to develop a series of most moving pictures of va- rious soul - states , which reach a climax in the maiden's aria , Oh , let me only breathe the air ! " and close with the Peri's dirge ...
... soprano ) aria , " Deserted youth ! " he begins to develop a series of most moving pictures of va- rious soul - states , which reach a climax in the maiden's aria , Oh , let me only breathe the air ! " and close with the Peri's dirge ...
Page 156
... soprano and a tenor , to which an accompaniment is added , in a style of the utmost independence possible ; Nos . 4 and 6 particu- larly are pervaded by genuinely Schumann - like feeling . The true rejuvenescence of old forms is that ...
... soprano and a tenor , to which an accompaniment is added , in a style of the utmost independence possible ; Nos . 4 and 6 particu- larly are pervaded by genuinely Schumann - like feeling . The true rejuvenescence of old forms is that ...
Page 198
... soprano solo , chorus , and orchestra ( Op . 71 ) , also written in 1848 . In a letter to Strakerjan , Schumann very beautifully says of sacred music , that " to apply his powers to sacred music is the artist's highest aim . But in ...
... soprano solo , chorus , and orchestra ( Op . 71 ) , also written in 1848 . In a letter to Strakerjan , Schumann very beautifully says of sacred music , that " to apply his powers to sacred music is the artist's highest aim . But in ...
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Common terms and phrases
adagio Allegro already artistic Bach ballad Beethoven characteristic choral chords chorus Clara Clara Schumann Clara Wieck close composer composition concert construction critical Davidites distinct dramatic emotion English Engravings entire Eusebius expression farther Faust feeling Ferdinand Hiller flat major Florestan Franz Schubert Friedrich Rückert Friedrich Wieck fugue gained Genoveva give harmony Heine Heinrich Heine History idea Illustrations images imagination individual influence inspired Introduction Leipsic letter lyric master meaning melody Mendelssohn ment merely motive movement Mozart musician nature Notes opera orchestra original overture peculiar perfect Peri Phantasiestücke piano accompaniment pianoforte picture poem poet poetic polyphonic Portraits quartet regard Robert Robert Reinick ROBERT SCHUMANN romantic scarcely scherzo Schu Schubert Schumann seems solo sonata songs soul spirit studies style symphony theme tion tone Trans Translated treatment variations various verse violin violoncello vocal voice vols whole wholly Wieck Woodcuts write written Zwickau
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