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Thy forests, Windsor! and thy green retreats,
At once the Monarch's and the Muse's seats,
Invite my lays. Be present, sylvan maids!
Unlock your springs, and open all your shades.
Granville commands; your aid, O Muses, bring!
What Muse for Granville can refuse to sing?
The groves of Eden, vanish'd now so long,
Live in description, and look green in song:1
These, were my breast inspir'd with equal flame,
Like them in beauty, should be like in fame.
Here hills and vales, the woodland and the plain,
Here earth and water, seem to strive again;
Not chaos-like together crush'd and bruis'd,
But, as the world, harmoniously confus'd,
Where order in variety we see,

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And where, tho' all things differ, all agree.
Here waving groves a chequer'd scene display,
And part admit, and part exclude the day,
As some coy nymph her lover's warm address
Nor quite indulges, nor can quite repress;
There, interspers'd in lawns and op'ning glades,
Thin trees arise, that shun each other's shades.
Here, in full light, the russet plains extend;
There wrapt in clouds, the bluish hills ascend.
Ev'n the wild heath displays her purple dyes,
And 'midst the desert fruitful fields arise,
That, crown'd with tufted trees and springing corn,
Like verdant isles the sable waste adorn.
Let India boast her plants, nor envy we
The weeping amber or the balmy tree,
While by our oaks the precious loads are borne,
And realms commanded which those trees adorn.
Not proud Olympus yields a nobler sight,
Tho' gods assembled grace his tow'ring height,
Than what more humble mountains offer here, 35
Where, in their blessings, all those gods appear:
See Pan with flocks, with fruits Pomona crown'd;
Here blushing Flora paints th' enamell'd ground;
Here Ceres' gifts in waving prospect stand,
And, nodding, tempt the joyful reaper's hand;
Rich Industry sits smiling on the plains,
And peace and plenty tell, a Stuart reigns.3
Not thus the land appear'd in ages past,

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The swain with tears his frustrate labor yields, 55
And famish'd dies amidst his ripen'd fields.
What wonder then, a beast or subject slain
Were equal crimes in a despotic reign?
Both doom'd alike, for sportive tyrants bled,
But while the subject starv'd, the beast was fed. 60
Proud Nimrod1 first the bloody chase began,

A mighty hunter, and his prey was man :

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Our haughty Norman boasts that barb'rous name,
And makes his trembling slaves, the royal game.
The fields are ravish'd from th' industrious swains,"
From men their cities, and from gods their fanes : 66
The levell'd towns with weeds lie cover'd o'er;
The hollow winds thro' naked temples roar ;
Round broken columns clasping ivy twin'd;
O'er heaps of ruin stalk'd the stately hind;
The fox obscene to gaping tombs retires,
And savage howlings fill the sacred quires."
Aw'd by the nobles, by his commons curst,
Th' oppressor rul'd tyrannic where he durst,
Stretch'd o'er the poor and church his iron rod,
And serv'd alike his vassals and his God.
Whom ev'n the Saxon spar'd and bloody Dane,
The wanton victims of his sport remain.
But see, the man who spacious regions gave
A waste for beasts, himself deny'd a grave !5
Stretch'd on the lawn his second hope survey,
At once the chaser, and at once the prey :
Lo Rufus, tugging at the deadly dart.
Bleeds in the Forest like a wounded hart.
Succeeding monarchs heard the subjects' cries,
Nor saw displeas'd the peaceful cottage rise.
Then gath'ring flocks on unknown mountains fed,
O'er sandy wilds were yellow harvests spread,
The forests wonder'd at th' unusual grain,
And secret transport touch'd the conscious swain.
Fair Liberty, Britannia's Goddess, rears
Her cheerful head, and leads the golden years.
Ye vig'rous swains! while youth ferments your
blood,

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And purer spirits swell the sprightly flood,
Now range the hills, the gameful woods beset,
Wind the shrill horn, or spread the waving net.
When milder autumn summer's heat succeeds,
And in the new-shorn field the partridge feeds,
Before his lord the ready spaniel bounds,
Panting with hope, he tries the furrow'd grounds;
But when the tainted gales the game betray,
Couch'd close he lies, and meditates the prey:
Secure they trust th' unfaithful field beset,
"Till hov'ring o'er 'em sweeps the swelling net.

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A dreary desert, and a gloomy waste,
To savage beasts and savage laws a prey,
And kings more furious and severe than they;
Who claim'd the skies, dispeopled air and floods,
The lonely lords of empty wilds and woods:
Cities laid waste, they storm'd the dens and caves,
(For wiser brutes were backward to be slaves :)
What could be free, when lawless beasts obey'd,
And ev'n the elements a tyrant swayed?

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in vain kind seasons swell'd the teeming grain, Soft show'rs distill'd, and suns grew warm in vain;

1 An allusion to Paradise Lost.

See L'Allegro, 78.

Queen Anne (1702-14).

1 William I, King of England (1066-87). See Genesis, 10 :8-9.

2 Among his other tyrannies, William I confiscated land in Hampshire, and made it into New Forest, a royal game preserve.

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The female of the red deer.

Parts of churches used by singers.

The burial ground for William in Normandy had to be purchased.

Richard, Duke of Bernay, said to have been killed by a stag.

William II, King of England (1087-1100). He was killed (possibly by accident) by an arrow shot by one of his own men while hunting in New Forest.

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His painted wings, and breast that flames with gold?
Nor yet, when moist Arcturus clouds the sky,
The woods and fields their pleasing toils deny.
To plains with well-breath'd beagles we repair,
And trace the mazes of the circling hare
(Beasts, urg'd by us, their fellow-beasts pursue,
And learn of men each other to undo).
With slaught'ring guns th' unwearied fowler roves,
When frosts have whiten'd all the naked groves,
Where doves in flocks the leafless trees o'ershade,
And lonely wood-cocks haunt the wat❜ry glade.
He lifts the tube, and levels with his eye;
Straight a short thunder breaks the frozen sky: 130
Oft, as in airy rings they skim the heath,
The clam'rous lapwings feel the leaden death;
Oft, as the mounting larks their notes prepare,
They fall, and leave their little lives in air.

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In genial spring, beneath the quiv'ring shade, 135 Where cooling vapors breathe along the mead, The patient fisher takes his silent stand, Intent, his angle trembling in his hand; With looks unmov'd, he hopes the scaly breed, And eyes the dancing cork and bending reed. Our plenteous streams a various race supply: The bright-ey'd perch, with fins of Tyrian dye;3 The silver eel, in shining volumes roll'd; 'The yellow carp, in scales bedropp'd with gold;" Swift trouts, diversified with crimson stains; And pikes, the tyrants of the wat'ry plains.

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Now Cancer glows with Phoebus' fiery car: The youth rush eager to the sylvan war, Swarm o'er the lawns, the forest walks surround. Rouse the fleet hart, and cheer the opening hound. Th' impatient courser pants in every vein, And, pawing, seems to beat the distant plain : Hills, vales, and floods appear already cross'd, And ere he starts, a thousand steps are lost. See the bold youth strain up the threat'ning steep, Rush thro' the thickets, down the valleys sweep, Hang o'er their coursers' heads with eager speed, And earth rolls back beneath the flying steed. Let old Arcadia boast her ample plain,

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PART I

'Tis hard to say, if greater want of skill
Appear in writing or in judging ill;
But, of the two, less dangerous is th' offence
To tire our patience, than mislead our sense.
Some few in that, but numbers err in this,
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose,
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In poets as true genius is but rare,
True taste as seldom is the critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well.
Authors are partial to their wit, 'tis true,
But are not critics to their judgment too?

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Yet if we look more closely, we shall find Most have the seeds of judgment in their mind: 20 Nature affords at least a glimm'ring light; The lines, tho' touch'd but faintly, are drawn right. But as the slightest sketch, if justly trac'd, Is by ill-coloring but the more disgrac'd, So by false learning is good sense defac'd; Some are bewilder'd in the maze of schools, And some made coxcombs Nature meant but fools. In search of wit these lose their common sense, And then turn critics in their own defence: Each burns alike, who can, or cannot write, Or with a rival's or an eunuch's spite. All fools have still an itching to deride, And fain would be upon the laughing side. If Mævius scribbled in Apollo's spite, There are those who judge still worse than he can write.

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Some have at first for wits, then poets past,
Turned critics next, and prov'd plain fools at last.
Some neither can for wits' nor critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, num'rous in our isle, 40
As half-form'd insects on the banks of Nile:
Unfinish'd things, one knows not what to call,
Their generation's so equivocal:

To tell 'em, would a hundred tongues require.
Or one vain wit's, that might a hundred tire.
But you who seek to give and merit fame,
And justly bear a critic's noble name,
Be sure yourself and your own reach to know,

1 Queen Anne. 2 judge

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knowledge; intellect; genius; creative power persons possessing learning or knowledge of human

nature

5 begetting

• count

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Be Homer's works your study and delight,
Read them by day, and meditate by night;
Thence form your judgment, thence your maxims

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bring,

How far your genius, taste, and learning go;
Launch not beyond your depth, but be discreet,
And mark that point where sense and dulness meet.
Nature to all things fix'd the limits fit,
And wisely curb'd proud man's pretending wit.
As on the land while here the ocean gains,
In other parts it leaves wide sandy plains;
Thus in the soul while memory prevails,
The solid pow'r of understanding fails;
Where beams of warm imagination play,
The memory's soft figures melt away.
One science only will one genius fit;
So vast is art, so narrow human wit:
Not only bounded to peculiar arts,
But oft in those confined to single parts.
Like kings we lose the conquests gain'd before,
By vain ambition still to make them more;
Each might his sev'ral province well command,
Would all but stoop to what they understand.
First follow Nature, and your judgment frame
By her just standard, which is still the same:
Unerring Nature, still divinely bright,
One clear, unchang'd, and universal light,
Life, force, and beauty, must to all impart,
At once the source, and end, and test of Art,
Art from that fund each just supply provides,
Works without show, and without pomp presides: 75
In some fair body thus th' informing1 soul
With spirits feeds, with vigor fills the whole,
Each motion guides, and ev'ry nerve sustains;
Itself unseen, but in th' effects, remains.

And trace the Muses upward to their spring. Still with itself compar'd, his text peruse;

And let your comment be the Mantuan Muse.2

Some, to whom Heav'n in wit has been profuse, 80
Want as much more, to turn it to its use;
For wit and judgment often are at strife,
Tho' meant each other's aid, like man and wife.
'Tis more to guide than spur the Muse's steed;
Restrain his fury, than provoke his speed;
The winged courser, like a gen'rous3 horse,
Shows most true mettle when you check his course.
Those rules of old discovered, not devis'd,

When first young Maro3 in his boundless mind 130 A work t' outlast immortal Rome design'd, Perhaps he seemed above the critic's law, And but from Nature's fountains scorned to draw; But when t' examine every part he came, Nature and Homer were, he found, the same. Convinc'd, amaz'd, he checks the bold design; And rules as strict his labor'd work confine, As if the Stagirite1 o'erlooked each line. Learn hence for ancient rules a just esteem; To copy Nature is to copy them.

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Some beauties yet no precepts can declare, For there's a happiness as well as care. Music resembles poetry; in each

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Are Nature still, but Nature methodiz'd; Nature, like liberty, is but restrain'd

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Th' intent propos'd, that licence is a rule. Thus Pegasus, a nearer way to take,

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By the same laws which first herself ordain'd.
Hear how learn'd Greece her useful rules indites,
When to repress and when indulge our flights;
High on Parnassus' top1 her sons she show'd,
And pointed out those arduous paths they trod; 95
Held from afar, aloft, th' immortal prize,
And urged the rest by equal steps to rise.
Just precepts thus from great examples giv'n,

She drew from them what they deriv'd from Heav'n.
The gen'rous critic fann'd the poet's fire,
And taught the world with reason to admire.
Then Criticism the Muse's handmaid prov'd,
To dress her charms and make her more belov'd;
But following wits from that intention stray'd,
Who could not win the mistress, woo'd the maid;
Against the poets their own arms they turn'd,
Sure to hate most the men from whom they learn'd.
So modern 'pothecaries, taught the art

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May boldly deviate from the common track;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which, without passing thro' the judgment, gains
The heart, and all its end at once attains.
In prospects thus, some objects please our eyes,
Which out of Nature's common order rise,
The shapeless rock, or hanging precipice.
Great wits sometimes may gloriously offend,
And rise to faults true critics dare not mend;
But tho' the ancients thus their rules invade;
(As kings dispense with laws themselves have made)
Moderns beware! or if you must offend
Against the precept, ne'er transgress its end;
Let it be seldom, and compell'd by need ;
And have, at least, their precedent to plead.

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'Tis ours to trace him only in our own.
He, who through vast immensity can pierce,
See worlds on worlds compose one universe,
Observe how system into system runs,
What other planets circle other suns,
What vari'd being peoples every star,
May tell why Heav'n has made us as we are.
But of this frame1 the bearings, and the ties,
The strong connections, nice dependencies,
Gradations just, has thy pervading soul
Look'd thro'? or can a part contain the whole?
Is the great chain, that draws all to agree,
And drawn supports, upheld by God, or thee?

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See, from each clime the learn'd their incense bring!
Hear, in all tongues, consenting pæans ring!
In praise so just let ev'ry voice be joined,
And fill the general chorus of mankind.
Hail, bards triumphant! born in happier days;
Immortal heirs of universal praise!
Whose honors with increase of ages grow,
As streams roll down, enlarging as they flow;
Nations unborn your mighty names shall sound,
And worlds applaud that must not yet be found!
Oh, may some spark of your celestial fire,
The last, the meanest of your sons inspire,
(That on weak wings, from far, pursues your flights;
Glows while he reads, but trembles as he writes)
To teach vain wits a science little known,
T'admire superior sense, and doubt their own!

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From AN ESSAY ON MAN
EPISTLE I

Awake, my St. John! leave all meaner things
To low ambition, and the pride of kings.
Let us (since life can little more supply
Than just to look about us and to die)

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find,

Presumptuous man! the reason wouldst thou Why form'd so weak, so little, and so blind? First, if thou canst, the harder reason guess, Why form'd no weaker, blinder, and no less? Ask of thy mother earth, why oaks are made Taller or stronger than the weeds they shade? Or ask of yonder argent fields above, Why Jove's satellites are less than Jove. Of systems possible, if 'tis confest That Wisdom infinite must form the best, Where all must full or not coherent be, And all that rises, rise in due degree; Then, in the scale of reas'ning life, 'tis plain, There must be, somewhere, such a rank as man: And all the question (wrangle e'er so long) Is only this, if God has plac'd him wrong? Respecting man, whatever wrong we call, May, must be right, as relative to all. In human works, tho' labor'd on with pain, A thousand movements scarce one purpose gain; In God's, one single can its end produce; Yet serves to second too some other use. So man, who here seems principal alone, Perhaps acts second to some sphere unknown, Touches some wheel, or verges to some goal; 'Tis but a part we see, and not a whole.

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When the proud steed shall know why man restrains

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His fiery course, or drives him o'er the plains; When the dull ox, why now he breaks the clod.

A wild, where weeds and flow'rs promiscuous shoot,
Or garden, tempting with forbidden fruit.

Together let us beat' this ample field,
Try what the open, what the covert yield;
The latent tracts, the giddy heights, explore
Of all who blindly creep, or sightless soar;
Eye Nature's walks, shoot folly as it flies,
And catch the manners living as they rise;
Laugh where we must, be candid where we can;
But vindicate the ways of God to man."

Is now a victim, and now Egypt's god.2

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If to be perfect in a certain sphere,

I. Say first, of God above, or man below, What can we reason, but from what we know? Of man, what see we but his station here From which to reason or to which refer? Thro' worlds unnumber'd tho' the God be known,

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III. Heav'n from all creatures hides the book of Fate,

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All but the page prescrib'd, their present state: From brutes what men, from men what spirits know:

1 The structure of the universe.

2 Apis, the sacred bull of Egypt.

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