TO MISS AURELIA C-R, On her weeping at her Sister's Wedding. And seize the treasure you regret. And softly whispers to your charms,- A monument has been erected by public subscription to Collins. He is represented as just recovered from a wild fit of phrensy, to which he was subject, and in a calm and reclining posture, seeking refuge from his misfortunes in the consolations of the Gospel, while his lyre and one of the first of his poems lie neglected on the ground, &c. The whole was executed by Flaxman, at that time lately returned from Rome: the following most excellent epitaph was written by Mr. Hayley. Ye who the merits of the dead revere, Who hold misfortune's sacred genius dear, Regard this tomb, where Collins, hapless name, Though Nature gave him, and though Science taught He pass'd in madd'ning pain life's fev'rish dream, STANZAS, WRITTEN BY SCOTT, OF AMWELL, ON HIS RETURN FROM CHICHESTER, WHERE HE HAD IN VAIN ATTEMPTED TO FIND THE BURIAL-PLACE OF COLLINS. To view the beauties of my native land, O'er many a pleasing, distant scene, I rove; Now climb the rock, or wander on the strand, Or trace the rill, or penetrate the grove. From Baia's hills, from Portsea's spreading wave, Anxious my tribute of respect to pay. O'er the dim pavement of the solemn fane, Midst the rude stones that crowd the' adjoining space, The sacred spot I seek: but seek in vain In vain I ask-for none can point the place. What boots the eye whose quick observant glance What, the skill'd ear that sound's sweet charms entrance, And the fond breast with generous passion warm? What boots the power each image to portray, The power with force each feeling to express? How vain the hope that through life's little day, The soul with thought of future fame can bless. While Folly frequent boasts th' insculptured tomb, By Flattery's pen inscribed with purchased praise; While rustic Labour's undistinguish'd doom Fond Friendship's hand records in humble phrase; Of Genius oft and Learning worse the lot, For them no care, to them no honour shewn: Alive neglected, and when dead forgot, E'en COLLINS slumbers in a grave unknown. ORIENTAL ECLOGUES. ECLOGUE I. SELIM; OR, THE SHEPHERD'S MORAL. Scene A Valley near Bagdat. Time-The Morning. 'YE Persian maids! attend your poet's lays, And hear how shepherds pass their golden days. Not all are blest, whom Fortune's hand sustains With wealth in courts; nor all that haunt the plains: Well may your hearts believe the truths I tell; 'Tis virtue makes the bliss where'er we dwell.' Thus Selim sung, by sacred Truth inspired; Nor praise, but such as Truth bestow'd, desired : Wise in himself, his meaning songs convey'd Informing morals to the shepherd maid; Or taught the swains that surest bliss to find, What groves nor streams bestow-a virtuous mind. When sweet and blushing, like a virgin bride, The radiant morn resumed her orient pride; When wanton gales along the valleys play, Breathe on each flower, and bear their sweets away; By Tigris' wand'ring waves he sat, and sung This useful lesson for the fair and young: 'Ye Persian dames, he said, to you belong- Yet think not these, all beauteous as they are, Drawn from the deep, we own their surface bright, Such are the maids, and such the charms they boast, By sense unaided, or to virtue lost. Self-flattering sex! your hearts believe in vain. That Love shall blind, when once he fires the swain; Who seeks secure to rule, be first her care 'Blest were the days when Wisdom held her reign, And shepherds sought her on the silent plain } With Truth she wedded in the secret grove, Immortal Truth! and daughters bless'd their love. "O haste, fair maids! ye Virtues, come away, Sweet Peace and Plenty lead you on your way! The balmy shrub for you shall love our shore, By Ind excell'd, or Araby, no more. 'Lost to our fields, for so the Fates ordain, The dear deserters shall return again. [clear, Come thou, whose thoughts as limpid springs are But man the most-not more the mountain doe Cold is her breast, like flowers that drink the dew; And Love, the last: by these your hearts approve, Thus sung the swain; and ancient legends say, ECLOGUE II. HASSAN: OR, THE CAMEL-DRIVER. Scene The Desert. Time-Mid-day. IN silent horror o'er the boundless waste "Ah! little thought I of the blasting wind, "Ye mute companions of my toils, that bear In all my griefs a more than equal share! Here, where no springs in murmurs break away, Or moss-crown'd fountains mitigate the day, In vain ye hope the dear delights to know, Which plains more blest, or verdant vales bestow: |