The Philosophy of RhetoricT. Tegg, 1841 - 396 pages |
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Page 4
... resemblance is the object , as in a picture or a statue , a perfect conformity to its archetype is a thing at least conceivable . In like manner , the utmost pleasure of which the imagination is susceptible by a poetical narra- tive or ...
... resemblance is the object , as in a picture or a statue , a perfect conformity to its archetype is a thing at least conceivable . In like manner , the utmost pleasure of which the imagination is susceptible by a poetical narra- tive or ...
Page 13
... resemblance , in the portrait or per- formance . Now the principal scope for this class being in narra- tion and description , poetry , which is one mode of oratory , es- pecially epic poetry , must be ranked under it . The effect of ...
... resemblance , in the portrait or per- formance . Now the principal scope for this class being in narra- tion and description , poetry , which is one mode of oratory , es- pecially epic poetry , must be ranked under it . The effect of ...
Page 19
... resemblance requisite in that particular on which the comparison is founded , but there must also be a general similitude in the nature and quality of that which is the basis of the imagery , to that which is the theme of discourse . In ...
... resemblance requisite in that particular on which the comparison is founded , but there must also be a general similitude in the nature and quality of that which is the basis of the imagery , to that which is the theme of discourse . In ...
Page 24
... Resemblance to quibbles , cranks , and rhymes : Of these I imagine , it is quite unnecessary to exhibit specimens . The wit here is so dependent on the sound , that it is commonly incapable of being transfused into another language ...
... Resemblance to quibbles , cranks , and rhymes : Of these I imagine , it is quite unnecessary to exhibit specimens . The wit here is so dependent on the sound , that it is commonly incapable of being transfused into another language ...
Page 29
... resemblance , widely varies the proportions . Humour , when we consider the con- trariety of its effects , contempt and laughter , ( which constitute what in one word is termed derision , ) to that sympathy and love often pro- duced by ...
... resemblance , widely varies the proportions . Humour , when we consider the con- trariety of its effects , contempt and laughter , ( which constitute what in one word is termed derision , ) to that sympathy and love often pro- duced by ...
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Common terms and phrases
admit adverb affirmed ambiguity anapest antonomasia appear application argument ascer beauty catachresis circumstances clause common commonly composition conjunctions connexion connexive consequence considered contrary critics degree denominated denote discourse doth Dunciad effect eloquence employed English equal evidence example expression former French frequently give grammatical hath hearers Hudibras ideas idiom imagination impropriety instance justly kind language Latin latter manner meaning metaphor metonymy mind moral nature necessary never noun object obscurity observed occasion orator Paradise Lost particular passage passion perhaps periphrasis person perspicuity phrases pleasure pleonasm poet preceding preposition preterit principles produce pronoun proper properly qualities Quintilian racter reason regard relation remark rendered resemblance respect ridicule rience sense sensible sentence sentiments serve signified solecism sometimes sophism sort sound speak speaker species Spect spondee style syllables syllogism Tatler tence term things thought tion tongue tropes truth verb vivacity wherein words writers
Popular passages
Page 341 - Doubtless thou art our father, though Abraham be ignorant of us, and Israel acknowledge us not: thou, O LORD, art our father, our redeemer ; thy name is from everlasting.
Page 341 - I have nourished and brought up children, and they have rebelled against me. The ox knoweth his owner, and the ass his master's crib : but Israel doth not know, my people doth not consider.
Page 196 - True ease in writing comes from art, not chance, As those move easiest who have learned to dance.
Page 284 - For, lo, the winter is past, The rain is over and gone; The flowers appear on the earth; The time of the singing of birds is come, And the voice of the turtle is heard in our land; The fig tree putteth forth her green figs, And the vines with the tender grape give a good smell, Arise, my love, my fair one, and come away.
Page 22 - And decks the goddess with the glittering spoil. This casket India's glowing gems unlocks, And all Arabia breathes from yonder box.
Page 27 - She said ; then raging to Sir Plume' repairs, And bids her beau demand the precious hairs : (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane...
Page 37 - I may therefore conclude, that the passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly...
Page 183 - We next went to the school of languages, where three professors sat in consultation upon improving that of their own country. The first project was to shorten discourse by cutting polysyllables into one, and leaving out verbs and participles, because in reality all things imaginable are but nouns.
Page 309 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 377 - Pr'ythee, lead me in: There take an inventory of all I have, To the last penny ; 'tis the king's : my robe, And my integrity to heaven, is all I dare now call mine own.