The Collected Works of William Hazlitt: Lectures on the English comic writers. A view of the English stage. Dramatic essays from 'The London magazine.'J. M. Dent & Company, 1903 |
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Page 5
... pleasure instead of pain from the farce of life which is played before us , and which discomposes our gravity as often as it fails to move our anger or our pity ! Tears may be considered as the natural and involuntary resource 5 LECTURE ...
... pleasure instead of pain from the farce of life which is played before us , and which discomposes our gravity as often as it fails to move our anger or our pity ! Tears may be considered as the natural and involuntary resource 5 LECTURE ...
Page 7
... pleasure , and leaves no time nor inclination for painful reflections . The essence of the laughable then is the incongruous , the discon- necting one idea from another , or the jostling of one feeling against another . The first and ...
... pleasure , and leaves no time nor inclination for painful reflections . The essence of the laughable then is the incongruous , the discon- necting one idea from another , or the jostling of one feeling against another . The first and ...
Page 13
... uncertainty and vicissitude , and an heroic contempt for the untoward accidents and petty vexations of human life . It is the gaiety of despair , the mirth and laughter of a respite during pleasure from death . 13 ON WIT AND HUMOUR.
... uncertainty and vicissitude , and an heroic contempt for the untoward accidents and petty vexations of human life . It is the gaiety of despair , the mirth and laughter of a respite during pleasure from death . 13 ON WIT AND HUMOUR.
Page 14
... pleasure and idle gallantry . Half the business and gaiety of comedy turns upon this . Most of the adventures , difficulties , demurs , hair - breadth ' scapes , disguises , decep- tions , blunders , disappointments , successes ...
... pleasure and idle gallantry . Half the business and gaiety of comedy turns upon this . Most of the adventures , difficulties , demurs , hair - breadth ' scapes , disguises , decep- tions , blunders , disappointments , successes ...
Page 15
... pleasure or pain ; for as soon as it describes the serious seriously , it ceases to be wit , and passes into a different form . Wit is , in fact , the eloquence of indifference , or an ingenious and striking exposition of those ...
... pleasure or pain ; for as soon as it describes the serious seriously , it ceases to be wit , and passes into a different form . Wit is , in fact , the eloquence of indifference , or an ingenious and striking exposition of those ...
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Common terms and phrases
absurdity actor actress admirable appeared audience beauty Beggar's Opera better character Charles Kemble comedy comic Coriolanus Covent Garden criticism delight Don Quixote dramatic Drury Lane Drury-Lane effect English equal Essays Examiner excellence expression eyes fancy farce favourite feeling folly genius gentleman give grace Hamlet Hazlitt heart Hogarth Hudibras human humour Iago Ibid imagination imitation interest Kean Kean's Kemble Kemble's Lady laugh look Lord lover ludicrous Macbeth manner mind Miss Kelly Miss O'Neill moral nature never night Opera Othello passion person piece play pleasure plot poet poetry Pope produced refinement Richard Richard III ridiculous scene School for Scandal seems sense sentiment Shakespear shew Shylock singing song soul spirit stage style supposed taste Tatler Theatre theatrical thing thou thought Tom Jones tone tragedy Twelfth Night voice whole wife words writer young
Popular passages
Page 182 - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
Page 179 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 47 - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale?
Page 386 - Methinks I should know you and know this man; yet I am doubtful: for I am mainly ignorant what place this is, and all the skill I have remembers not these garments; nor I know not where I did lodge last night.
Page 48 - Her lips were red; and one was thin Compared to that was next her chin, Some bee had stung it newly: But, Dick, her eyes so guard her face, I durst no more upon them gaze Than on the sun in July.
Page 385 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
Page 407 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
Page 239 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides...
Page 384 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
Page 15 - Wit lying most in the assemblage of Ideas, and putting those together with quickness and variety, wherein can be found any resemblance or congruity, thereby to make up pleasant Pictures, and agreeable Visions in the fancy...