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"The norther shouts on the plain, Ho, ho!
He drives from his nostrils the blinding snow,
And growls with a savage will."

From a photograph by Pach, after painting by Schenck, in the Metropolitan Museum of Art, New York.

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Bow their hoar head; and, ere the languid sun
Faint from the west emits his evening ray,
Earth's universal face, deep hid and chill,
Is one wide dazzling waste, that buries wide
The works of man. Drooping, the laborer-ox
Stands covered o'er with snow, and then demands
The fruit of all his toil. The fowls of heaven,
Tamed by the cruel season, crowd around
The winnowing store, and claim the little boon
Which Providence assigns them. One alone,
The redbreast, sacred to the household gods,
Wisely regardful of the embroiling sky,
In joyless fields and thorny thickets leaves
His shivering mates, and pays to trusted man
His annual visit. Half afraid, he first

Against the window beats; then, brisk, alights
On the warm hearth; then, hopping o'er the floor,
Eyes all the smiling family askance,
And pecks, and starts, and wonders where he is:
Till, more familiar grown, the table-crumbs
Attract his slender feet. The foodless wilds
Pour forth their brown inhabitants. The hare,
Though timorous of heart, and hard beset
By death in various forms, dark snares, and dogs,
And more unpitying man, the garden seeks,
Urged on by fearless want. The bleating kind
Eye the bleak heaven, and next the glistening
earth,

With looks of dumb despair; then, sad dispersed,
Dig for the withered herb through heaps of snow.

JAMES THOMSON.

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