And when he put a hand but in They stoutly in defence on't stood, And from the wounded foe drew blood; And till th' were storm'd and beaten out, 325 Ne'er left the fortify'd redoubt. And though knights errant, as some think, Of old did neither eat nor drink, -But let that pass at present, lest 319. The likeness of a rat and a mouse, as given in Fig. 4. 347 350 may be seen in the moon (in pale light), near the arm of Hudibras. 354. It may now be necessary to state, that the com In it he melted lead for bullets, 355 To shoot at foes and sometimes pullets; To whom he bore so fell a grutch, He ne'er gave quarter t' any such. Of some body to hew and hack. 360 365 mon principle which I find adopted by all the ancient writers, (namely, that of conceiving the same thing to represent many different things, according to the resemblances to different objects which fancy may ascribe to it) is the governing principle also throughout this Poem. The basket-hilt of the Knight's sword, for instance, represented in Fig. 5. And so much scorn'd to lurk in case, This sword a dagger had his page, 375 380 386 is assigned by the Poet to various uses, according to such fancied resemblances; thus, likewise, the trencher-scraper, the knife, the pistol, Fig. 6. and the dagger of the Poem, are to be ascribed to the same prototype in the moon, situate a little to the right of the basket-hilted sword, before drawn in fig. 5. So again, the t In th' holsters at his saddle-bow As in his hose he could not get. 391 These would inveigle rats with th' scent, 395 trencher itself, the mouse-trap, the pieces of cheese and bacon, the owl, Fig. 7. and the shoe, are all to be referred to another and the same prototype there, situate under the pistol just now pointed out, and introduced in fig. 6: and thus too, (if I may go out of my present subject for a moment,) it may be conceived to be not without foundation, that Hamlet, in his dialogue with Osric (in the play), compares the same cloud to a camel, an owzel, and a whale. This likewise is a proper occasion to mention another principle (if indeed it be not the same), which is likewise universally acted upon by the ancient writers, viz., that of making the same thing or country to represent, by subdivision or by union, many different things, characters, or personages, as is evidenced by the horses of the Knight and his Squire, which And sometimes catch them with a snap, are made up reciprocally of the Squire and Knight themselves, as may be seen in figs. 3 and 8; not Fig. 8. Umud navy Jenn Jud erol and to shiato at ilog H the various other dramatis personæ, with whom the reader will become better acquainted in the next Canto, are evidences likewise of the truth of those remarks. |