Surpris'd with wonder, beforehand, At what they did not understand, Quoth he, th' inhabitants o' th' moon,- Of eight miles deep and eighty round, Against the sun and th' enemy) 40 45 Which they count towns and cities there, 50 Than those rude peasants that are found Call'd Privolvans, with whom they are And now both armies, highly enrag'd, 55 60 fired, are connected, directly or indirectly, with all the other light parts of the moon. 61. The second member of the society is drawn in As one of singular invention Fig. 39. 65 having the same prototype as Cerdon, in Hudibras (drawn, ante, in figure 21); by a reference to which prototype in the moon, his spectacles may be easily traced there, as mentioned in line 76; and he is called great (61 and 79,) because his person occupies the whole of the shadows of the moon. The star-like explosion of light, so often noticed, may be easily imagined to resemble a book, (as in line 68,) with a hand, (in shadow,) resting or writing upon it with a pen, (in light). That men, whose natural eyes are out, As clearly 't may, by those that wear Observ'd his best, and then cry'd out ; The gallant Subvolvani rally, 70 75 80 And from their trenches make a sally Upon the stubborn enemy, 85 Who now begin to rout and fly. These silly ranting Privolvans Have every summer their campaigns, 88. If the moon be observed with a telescope in the summer time, there will appear a sort of motion all over her surface, which may be assimilated to the motion of bubbles of soap-suds blown in a bason. These objects in apparent motion constitute the Privolvans and Subvolvani, whom the poet describes as being engaged in so fierce a contest; which contest, in a more enlarged view, has regard to the opposition subsisting between the different And muster, like the warlike sons 90 And face their neighbours hand to hand, Until the long'd-for winter's come, 95 And then return in triumph home, And spend the rest o' th' year in lies, From the old Arcadians they're beliey'd 100 And when her orb was new created quarters of the moon, and the alternate victory and defeat, or ascendency and depression of those quarters, arising from her librations; which are the subject of so much humorous poetry in Hudibras. The epithet silly, in line 86, points to idiotism, or lunacy, as connected with the noon. 90. If the figure of Cerdon, (drawn ante, No. 21,) be turned upside down, in addition to the face of Colon, which it will then exhibit fronting the left hand, there may be seen, fronting to the right, an accurate resemblance of a human skull, alluded to occasionally in Hudibras, and frequently in the ensuing volumes. Whom nothing in the world could bring To civil life but fiddling, They still retain the antique course And custom of their ancestors, 105 And always sing and fiddle to Things of the greatest weight they do. 110 While thus the learn'd man entertains And solid judgment, in the moon, And which produc'd best genet-moyles, Had enter'd his long living name, 115 106 and 109. These lines refer to the likeness of a fiddle in the moon, as drawn in the hand of Crowdero (fig. 14, ante). The singing regards the music of the spheres, so frequently alluded to by the ancient poets. 110. This line contains a strong allusion to the preponderances or librations of the moon, as mentioned in the note on the 88th line. 113. The third member of the society is drawn in fig. 40, together with the elephant, the object of his discovery, situate in the moon at the end of the prototype of his telescope. It is the same character as constituted the goddess Fame in Hudibras, (drawn ante, fig. 25,) to which there seems to be an allusion by the mention of great renown in this line, and of Fame herself in line 117. She |