Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 6
... particular attributes or cir- cumftances . A third general obfervation is , That ab- stract terms can never be the subject of com- parifon , otherwise than by being perfonified . Shakespear Shakespear compares adverfity to a toad , and ...
... particular attributes or cir- cumftances . A third general obfervation is , That ab- stract terms can never be the subject of com- parifon , otherwise than by being perfonified . Shakespear Shakespear compares adverfity to a toad , and ...
Page 7
... particular inftances the different means by which comparison can afford pleasure ; and , in the order above established , I fhall begin with those instances that are agreeable by fuggesting fome unusual resemblance or contraft : 1 Sweet ...
... particular inftances the different means by which comparison can afford pleasure ; and , in the order above established , I fhall begin with those instances that are agreeable by fuggesting fome unusual resemblance or contraft : 1 Sweet ...
Page 26
... particular to com- * It is accordingly obferved by Longinus , in his treatise of the Sublime , that the proper time for metaphor , is when the paffions are fo fwelled as to hurry on like a torrent . parisons , parisons . This in a great ...
... particular to com- * It is accordingly obferved by Longinus , in his treatise of the Sublime , that the proper time for metaphor , is when the paffions are fo fwelled as to hurry on like a torrent . parisons , parisons . This in a great ...
Page 65
... particular objects , are often necessary in poetry . Such terms however are not well adapted to poetry , because they fuggeft not any image to the mind : I can readily form an image of Alexander or Achilles in wrath ; but I cannot form ...
... particular objects , are often necessary in poetry . Such terms however are not well adapted to poetry , because they fuggeft not any image to the mind : I can readily form an image of Alexander or Achilles in wrath ; but I cannot form ...
Page 72
... every paffion indifferently . All difpiriting paffions are averse to it . Remorfe , in particular , is too ferious and fevere , to be gratified by a a phantom of the mind . I cannot therefore approve 72 Ch . XX . FIGURES .
... every paffion indifferently . All difpiriting paffions are averse to it . Remorfe , in particular , is too ferious and fevere , to be gratified by a a phantom of the mind . I cannot therefore approve 72 Ch . XX . FIGURES .
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe beſt betwixt Carm caufe cauſe chap circumſtances compariſon compofition confidered Cymbeline defcribed defcription diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene feems fenfe fenfible fenſe fhall fignify figure of ſpeech fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch garden Grecian hath Henry VI himſelf Horat houſe Iliad imagination impreffion inftances itſelf ject lefs leſs meaſure metaphor mind moſt Mozambic muſt nature neceffary obfervation objects occafion oppofite ornament paffage paffion Paradife Loft perfon perfonification pleaſe pleaſure poet precife preſent principle proper proportion purpoſe raiſe reaſon reliſh repreſentation repreſented reſemblance reſpect Richard II ſcarce ſcene ſenſe ſhall ſhould ſome ſtage ſtate ſuch tafte taſte thee thefe theſe thing thoſe thou tion tragedy uſe word Zacynthus
Popular passages
Page 167 - pond ; And do a wilful ftillnefs .entertain, .... . , With purpofe to be drefs'd in an, opinion, Of wifdom, gravity, profound conceit.; As who fhould fay, I am Sir Oracle, And when I ope my lips, let no dog bark! O my Anthonio, I
Page 155 - truly happy, my good Cromwell. I know myfelf now, and I feel within me A peace above all earthly dignities, A ftill and quiet conference. The King has cur'd me, I humbly thank his Grace; and, from thefe fhoulders, Thefe ruin'd pillars, out of pity taken A load would fink a navy, too much honour. Henry
Page 64 - Seal up the fhip-boy's eyes, and rock his brains In cradle of the rude imperious furge; And in the vifitation of the winds, Who take the ruffian billows by the top, Curling their monftrous heads, and hanging them With deaf'ning clamours in the flipp'ry
Page 63 - Within the hollow crown That rounds the mortal temples of a king, Keeps Death his court; and there the antic fits, Scoffing his ftate, and grinning at his pomp; Allowing him a breath, a little fcene To
Page 366 - And hence it is, that an object feen at the termination of a confined view, is more agreeable than when feen in a group with the furrounding objects. The crow doth fing as fweetly as the lark When neither is attended; and, I think, The nightingale, if flie
Page 64 - in an hour fo rude ; And, in the calmeft and the ftilleft night, With all appliances and means to boot, Deny it to a king ? Then, happy low! lie down ; Uneafy lies the head that wears a crown. Second Part Henry IV.
Page 12 - 5* Thou divine Nature! how thyfelf thou blazon'ft In thefe two princely boys! they are as gentle As zephyrs blowing below the violet, Not wagging his fweet head ; and yet as rough, (Their royal blood inchaf'd) as the rud'ft wind, That by the top doth take the mountain-pine, And make him ftoop
Page 33 - Give me the crown.—Here, coufin, feize the crown, Here, on this fide, my hand; on that fide, thine; Now is this golden crown like a deep- well, That owes two buckets, filling one another ; The emptier ever dancing in the air, The other down, unfeen and full of water;
Page 131 - butcher ; and then gives vent to his refentment ; but ftill with manlinefs and dignity: O, I could play the woman with mine eyes, And braggart with my tongue. But, gentle Heav'n! Cut fhort all intermiflion : front to front Bring thou this fiend of Scotland and myfelf; Within my fword's length fet him
Page 14 - peace, was never gentle lamb more mild ; Than was that young and princely gentleman, His face thou haft; for even fo look'd he, Accomplifh'd with the number of thy hours. But when he frown'd, it was againft the French, And not againft his friends. His noble hand Did win what he did fpend;