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ALEXANDER POPE (1688-1744)

Ode on Solitude

HAPPY the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air

In his own ground:

Whose herds with milk, whose fields with bread,

Whose flocks supply him with attire; Whose trees in summer yield him shade, In winter fire:

Blest, who can unconcern'dly find
Hours, days, and years slide soft away
In health of body, peace of mind,
Quiet by day:

Sound sleep by night; study and ease
Together mixt, sweet recreation,
And innocence, which most does please
With meditation.

Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.

From THE RAPE OF THE LOCK

At the suggestion of Mr. John Caryll, a gentleman who was secretary to Queen Mary, wife of James II, Pope wrote the "heroi-comical poem," The Rape of the Lock, in order to put an end, by this sparkling satire, to a quarrel that had arisen between two noble families, on the occasion of Lord Petre's having cut off a lock of Miss Arabella Fermor's hair. The machinery of sylphs is based on the Rosicrucian ideas of spirits living in the ele

ments.

FOR lo! the board with cups and spoons is crowned,

The berries crackle, and the mill turns round;

On shining altars of Japan they raise The silver lamp; the fiery spirits blaze; From silver spouts the grateful liquors glide,

At once they gratify their scent and taste, And frequent cups prolong the rich repast,

Straight hover round the fair her airy band;

Some, as she sipped, the fuming liquor fanned,

Some o'er her lap their careful plumes displayed,

Trembling, and conscious of the rich brocade.

Coffee (which makes the politician wise, And see through all things with his halfshut eyes)

Sent up in vapours to the baron's brain New stratagems the radiant lock to gain. Ah, cease, rash youth! desist ere 'tis too late!

Fear the just gods, and think of Scylla's fate!

Changed to a bird, and sent to flit in air, She dearly pays for Nisus' injured hair! But when to mischief mortals bend

their will,

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Just in that instant, anxious Ariel sought

While China's earth receives the smoking The close recesses of the virgin's thought;

tide:

As on the nosegay in her breast reclined,

He watched th' ideas rising in her mind,
Sudden he viewed, in spite of all her art,
An earthly lover lurking at her heart.
Amazed, confused, he found his power
expired,

Resigned to fate, and with a sigh retired.
The peer now spreads the glittering
forfex wide,

T' inclose the lock; now joins it, to di-
vide.

E'en then, before the fatal engine closed,
A wretched sylph too fondly interposed;
Fate urged the shears, and cut the sylph
in twain,

(But airy substance soon unites again).

The meeting points the sacred hair dis

sever

From the fair head, forever, and forever!
Then flashed the living lightning from

her eyes,

And screams of horror rend th' affrighted skies.

Not louder shrieks to pitying Heaven are cast,

When husbands, or when lap-dogs breathe their last;

Or when rich China vessels fallen from high,

In glittering dust and painted fragments lie!

HENRY FIELDING (1707-1754)

From Toм JONES

Partridge Sees Garrick's "Hamlet"

The party attending Garrick's performance of Hamlet, in the following selection, consists of Mrs. Miller, her younger daughter, Tom Jones, and Partridge. Partridge is Mr. Jones's attendant, faithful, observant, and not without shrewdness, but somewhat simple, and innocent of common sense. In his earlier days in the country, he had been a harmless failure as a schoolmaster and a husband; he had been a clerk also, and had had a sexton under him, as he informs us here.

In the first row then of the first gallery did Mr. Jones, Mrs. Miller, her youngest daughter, and Partridge, take their places. Partridge immediately declared that it was the finest place he had ever been in. When the first music was played, he said, "It was a wonder how so many fiddlers could play at one time, without putting one another out." While the fellow was lighting the upper candles, he cried out to Mrs. Miller, "Look, look, madam, the very picture of the man in the end of the common-prayer book before the gunpowder-treason service." Nor could he help observing, with a sigh, when all the candles were lighted, "That here were candles enough burnt in one night, to keep an honest poor family for a whole twelvemonth."

As soon as the play, which was Hamlet, Prince of Denmark, began, Partridge was all attention, nor did he break silence till the entrance of the ghost; upon which he asked Jones, "What man that was in the strange dress; something," said he, "like what I have seen in a picture? Sure it is not armour, is it?" Jones answered. "That is the ghost."

To which Partridge replied with a smile, "Persuade me to that, sir, if you can. Though I can't say I ever actually saw a ghost in my life, yet I am certain I should know one, if I saw him, better than that comes to. No, no, sir, ghosts don't appear in such dresses as that, neither." In this mistake, which caused much laughter in the neighbourhood of Partridge, he was suffered to continue, till the scene between the ghost and Hamlet, when Partridge gave that credit to Mr. Garrick, which he had denied to Jones, and fell into so violent a trembling, that his knees knocked against each other. Jones asked him what was the matter, and whether he was afraid of the warrior upon the stage? "O la! sir," said he, "I perceive now it is what you told me. I am not afraid of anything; for I know it is but a play. And if it was really a ghost, it could do one no harm at such a distance, and in so much company; and yet if I was frightened, I am not the only person.' Why, who," cries Jones, "dost thou take to be such a coward here besides thyself?" "Na, you may call me coward if you will; but if that little man there upon the stage is not frightened, I never saw any man frightened in my life. Ay, ay: go along with you: Ay, to be sure! Who's fool then? Will you? Lud have mercy upon such foolhardiness! Whatever happens, it is good enough for you.- -Follow you? I'd follow the devil as soon. Nay, perhaps it is the devilfor they say he can put on what likeness he pleases.-Oh! here he is again. No farther! No, you have gone far enough already; farther than I'd have gone for all the king's dominions." Jones offered to speak, but Partridge cried, " Hush, hush! dear sir, don't you hear him?” And during the whole speech of the ghost, he sat with his eyes fixed partly on the ghost and partly on Hamlet, and with his mouth open; the same passions which succeeded each other in Hamlet, succeeding likewise in him.

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When the scene was over, Jones said, "Why, Partridge, you exceed my expectations. You enjoy the play more than I conceived possible.' "Nay, sir," answered Partridge, "if you are not afraid of the devil, I can't help it; but to be sure, it is natural to be surprised at such things, though I know there is nothing in them: not that it was the ghost that surprised me, neither; for I should have known that to have been only a man in a strange dress; but when I saw the little man so frightened himself, it was that which took hold of me." "And dost thou imagine, then, Partridge," cries Jones, "that he was really frightened? “ Nay, sir," said Partridge, "did not you yourself observe afterwards, when he found it was his own father's spirit, and how he was murdered in the garden, how his fear forsook him by degrees, and he was struck

dumb with sorrow, as it were, just as I should have been, had it been my own case?-But hush! O la! what noise is that? There he is again. Well to be certain, though I know there is nothing at all in it, I am glad I am not down yonder, where those men are." Then turning his eyes again upon Hamlet, "Ay, you may draw your sword; what signifies a sword against the power of the devil?"

During the second act, Partridge made very few remarks. He greatly admired the fineness of the dresses; nor could he help observing upon the king's countenance. "Well," said he, "how people may be deceived by faces! Nulla fides fronti is, I find, a true saying. Who would think, by looking in the king's face, that he had ever committed a murder?" He then inquired after the ghost; but Jones, who intended he should be surprised, gave him no other satisfaction, than, "that he might possibly see him again soon, and in a flash of fire."

Partridge sat in a fearful expectation of this; and now, when the ghost made his next appearance, Partridge cried out, "There, sir, now; what say you now? is he frightened now or no? As much frightened as you think me, and, to be sure, nobody can help some fears. I would not be in so bad a condition as what's his name, squire Hamlet, is there, for all the world. Bless me! what's become of the spirit? As I am a living soul, I thought I saw him sink into the earth." "Indeed, you saw right," answered Jones. "Well, well," cries Partridge, "I know it is only a play: and besides, if there was anything in all this, Madam Miller would not laugh so; for as to you, sir, you would not be afraid, I believe, if the devil was here in person.-There, there-Ay, no wonder you are in such a passion, shake the vile wicked wretch to pieces. If she was my own mother, I would serve her so. To be sure, all duty to a mother is forfeited by such wicked doings.-Ay, go about your business, I hate the sight of you.'

Our critic was now pretty silent till the play, which Hamlet introduces before the king. This he did not at first understand, till Jones explained it to him; but he no sooner entered into the spirit of it, than he began to bless himself that he had never committed murder. Then turning to Mrs. Miller, he asked her, "If she did not imagine the king looked as if he was touched: though he is," said he, "a good actor, and doth all he can to hide it. Well, I would not have so much to answer for, as that wicked man there hath, to sit upon a much higher chair than he sits upon. No wonder he run away; for your sake I'll never trust an innocent face again."

The grave-digging scene next engaged the attention of Partridge, who expressed much surprise at the number of skulls thrown upon the

stage. To which Jones answered, "That it was one of the most famous burial-places about town." "No wonder then," cries Partridge, “that the place is haunted. But I never saw in my life a worse grave-digger. I had a sexton, when I was clerk, that should have dug three graves while he is digging one. The fellow handles a spade as if it was the first time he had ever had one in his hand. Ay, ay, you may sing. You had rather sing than work, I believe."-Upon Hamlet's taking up the skull, he cried out, "Well! it is strange to see how fearless some men are: I never could bring myself to touch anything belonging to a dead man, on any account.-He seemed frightened enough too at the ghost, I thought. Nemo omnibus horis sapit.”

Little more worth remembering occurred during the play, at the end of which Jones asked him, "Which of the players he had liked best?" To this he answered, with some appearance of indignation at the question, "The king, without doubt." "Indeed, Mr. Partridge," says Mrs. Miller, " you are not of the same opinion with the town; for they are all agreed, that Hamlet is acted by the best player who ever was on the stage." "He is the best player!" cries Partridge, with a contemptuous sneer, "why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as he did. And then, to be sure, in that scene, as you called it, between him and his mother,. where you told me he acted so fine, why, Lord help me, any man, that is, any good man, that had such a mother, would have done exactly the same. I know you are only joking with me; but indeed, madam, though I was never at a play in London, yet I have seen acting before in the country; and the king for my money; he speaks all his words distinctly, half as loud again as the other.-Anybody may see he is an actor."

Thus ended the adventure at the playhouse; where Partridge had afforded great mirth, not only to Jones and Mrs. Miller, but to all who sat within hearing, who were more attentive to what he said, than to anything that passed on the stage.

He durst not go to bed all that night, for fear of the ghost; and for many nights after sweated two or three hours before he went to sleep, with the same apprehensions, and waked several times in great horrors, crying out, "Lord have mercy upon us! there it is."

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