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The Execution of Mary, Queen of Scots

HER last night was a busy one. As she said herself there was much to be done and the time was short. A few lines to the King of France were dated two hours after midnight. They were to insist for the last time that she was innocent of the conspiracy, that she was dying for religion, and for having asserted her right to the crown; and to beg that out of the sum which he owed her, her servants' wages might be paid, and masses provided for her soul. After this she slept for three or four hours, and then rose and with the most elaborate care prepared to encounter the end.

At eight in the morning the Provost-marshal knocked at the outer door which communicated with her suite of apartments. It was locked and no one answered, and he went back in some trepidation lest the fears prove true which had been entertained the preceding evening. On his returning with the Sheriff, however, a few minutes later, the door was open, and they were confronted with the tall majestic figure of Mary Stuart standing before them in splendour. The plain grey dress had been exchanged for a robe of black satin; her jacket was of black satin also, looped and slashed and trimmed with velvet. Her false hair was arranged studiously with a coif, and over her head and falling down over her back was a white veil of delicate lawn. A crucifix of gold hung from her neck. In her hand she held a crucifix of ivory, and a number of jewelled Paternosters was attached to her girdle. Led by two of Paulet's gentlemen, the Sheriff walking before her, she passed to the chamber of presence in which she had been tried, where Shrewsbury, Kent, Paulet, Drury and others were waiting to receive her. Andrew Melville, Sir Robert's brother, who had been master of her household, was kneeling in tears. "Melville," she said, "you should rather rejoice than weep that the end of my troubles is come. Tell my friends I die a true Catholic. Commend me to my son. Tell him I have done nothing to prejudice his kingdom of Scotland, and so good Melville, farewell." She kissed him, and turning asked for her chaplain Du Preau. He was not present. There had been a fear of some religious melodrama which it was thought well to avoid. Her ladies, who had attempted to follow her, had been kept back also. She could not afford to leave the account of her death to be reported by enemies and Puritans, and she required assistance for the scene which she meditated. Missing them she asked the reason of their absence, and said she wished them to see her die. Kent said he feared they might scream or faint, or attempt perhaps to dip their handkerchiefs in her blood. She under

took that they should be quiet and obedient. "The Queen," she said, "would never deny her so slight a request;" and when Kent still hesitated, she added with tears, "You know I am cousin to your Queen, of the blood of Henry the Seventh, a married Queen of France, and anointed Queen of Scotland."

It was impossible to refuse. She was allowed to take six of her own people with her, and select them herself. She chose her physician Burgoyne, Andrew Melville, the apothecary Gorion, and her surgeon, with two ladies, Elizabeth Kennedy and Curle's young wife Barbara Mowbray, whose child she had baptised.

"Allons donc," she then said "Let us go," and passing out attended by the Earls, and leaning on the arm of an officer of the guard, she descended the great staircase to the hall. The news had spread far through the country. Thousands of people were collected outside the walls. About three hundred knights and gentlemen of the country had been admitted to witness the execution. The tables and forms had been removed, and a great wood fire was blazing in the chimney. At the upper end of the hall, above the fire-place, but near it, stood the scaffold, twelve feet square and two feet and a half high. It was covered with black cloth; a low rail ran round it covered with black cloth also, and the Sheriff's guard of halberdiers were ranged on the floor below on the four sides to keep off the crowd. On the scaffold was the block, black like the rest; a square black cushion was placed behind it, and behind the cushion a black chair; on the right were two other chairs for the Earls. The axe leant against the rail, and two masked figures stood like mutes on either side at the back. The Queen of Scots as she swept in seemed as if coming to take a part in some solemn pageant. Not a muscle of her face could be seen to quiver; she ascended the scaffold with absolute composure, looked round her smiling, and sate down. Shrewsbury and Kent followed and took their places, the Sheriff stood at her left hand, and Beale then mounted a platform and read the warrant aloud.

In all the assembly Mary Stuart appeared the person least interested in the words which were consigning her to death.

"Madam," said Lord Shrewsbury to her, when the reading was ended, "you hear what we are commanded to do."

"You will do your duty," she answered, and rose as if to kneel and pray.

The Dean of Peterborough, Dr. Fletcher, approached the rail. "Madam," he began, with a low obeisance, "the Queen's most excellent Majesty;" "Madam, the Queen's most excellent Majesty"-thrice he

commenced his sentence, wanting words to pursue it. When he repeated the words a fourth time, she cut him short.

"Mr. Dean," she said, "I am a Catholic, and must die a Catholic. It is useless to attempt to move me, and your prayers will avail me but little."

"Change your opinion, Madam," he cried, his tongue being loosed at last "repent of your sins, settle your faith in Christ, by him to be saved."

"Trouble not yourself further, Mr. Dean," she answered; “I am settled in my own faith, for which I mean to shed my blood."

"I am sorry, Madam," said Shrewsbury, "to see you so addicted to Popery."

"That image of Christ you hold there," said Kent, "will not profit you if he be not engraved in your heart."

She did not reply, and turning her back on Fletcher knelt for her own devotions.

He had been evidently instructed to impair the Catholic complexion of the scene, and the Queen of Scots was determined that he should not succeed. When she knelt he commenced an extempore prayer in which the assembly joined. As his voice sounded out in the hall she raised her own, reciting with powerful deep-chested tones the penitential Psalms in Latin, introducing English sentences at intervals, that the audience might know what she was saying, and praying with especial distinctness for her holy father the Pope.

From time to time, with conspicuous vehemence, she struck the crucifix against her bosom, and then, as the Dean gave up the struggle, leaving her Latin, she prayed in English wholly, still clear and loud. She prayed for the Church which she had been ready to betray, for her son, whom she had disinherited, for the Queen whom she had endeavoured to murder. She prayed God to avert his wrath from England, that England which she had sent a last message to Philip to beseech him to invade. She forgave her enemies, whom she had invited Philip not to forget, and then, praying to the saints to intercede for her with Christ, and kissing the crucifix and crossing her own breast, "Even as thy arms, O Jesus," she cried, "were spread upon the cross, so receive me into thy mercy and forgive my sins."

With these words she rose; the black mutes stepped forward, and in the usual form begged her forgiveness.

"I forgive you," she said, "for now I hope you shall end all my troubles." They offered their help in arranging her dress. "Truly, my lords," she said with a smile to the Earls, "I never had such grooms

waiting on me before." Her ladies were allowed to come up upon the scaffold to assist her; for the work to be done was considerable, and had been prepared with no common thought.

She laid her crucifix on her chair. The chief executioner took it as a perquisite, but was ordered instantly to lay it down. The lawn veil was lifted carefully off, not to disturb the hair, and was hung upon the rail. The black robe was next removed. Below it was a petticoat of crimson velvet. The black jacket followed, and under the jacket was a body of crimson satin. One of her ladies handed her a pair of crimson sleeves, with which she hastily covered her arms; and thus she stood on the black scaffold with the black figures all around her, blood-red from head to foot.

Her reasons for adopting so extraordinary a costume must be left to conjecture. It is only certain that it must have been carefully studied, and that the pictorial effect must have been appalling.

The women, whose firmness had hitherto borne the trial, began now to give way, spasmodic sobs bursting from them which they could not check. "Ne criez vous," she said, "j'ay promis pour vous." Struggling bravely, they crossed their breasts again and again, she crossing them in turn and bidding them pray for her. Then she knelt on the cushion. Barbara Mowbray bound her eyes with a handkerchief. "Adieu," she said, smiling for the last time and waving her hand to them, "Adieu, au revoir." They stepped back from off the scaffold and left her alone. On her knees she repeated the Psalm, In te, Domine, confido, "In thee, O Lord, have I put my trust." Her shoulders being exposed, two scars became visible, one on either side, and the Earls being now a little behind her, Kent pointed to them with his white wand and looked enquiringly at his companion. Shrewsbury whispered that they were the remains of two abscesses from which she had suffered while living with him at Sheffield.

When the psalm was finished she felt for the block, and laying down her head muttered: "In manus, Domine tuas, commendo animam meam.” The hard wood seemed to hurt her, for she placed her hands under her neck. The executioners gently removed them, lest they should deaden the blow, and then one of them holding her slightly, the other raised the axe and struck. The scene had been too trying even for the practised headsman of the Tower. His arm wandered. The blow fell on the knot of the handkerchief, and scarcely broke the skin. She neither spoke nor moved. He struck again, this time effectively. The head hung by a shred of skin, which he divided without withdrawing the axe; and at once a metamorphosis was witnessed, strange as was ever

wrought by wand of fabled enchanter. The coif fell off and the false plaits. The laboured illusion vanished. The lady who had knelt before the block was in the maturity of grace and loveliness. The executioner, when he raised the head, as usual, to shew it to the crowd, exposed the withered features of a grizzled, wrinkled old woman.

"So perish all enemies of the Queen," said the Dean of Peterborough. A loud Amen rose over the hall. "Such end," said the Earl of Kent, rising and standing over the body, "to the Queen's and the Gospel's enemies."

EMILY JANE BRONTË (1818-1848)

Stanzas: A little while, a little while

A LITTLE While, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.

Where wilt thou go, my harassed heart-
What thought, what scene invites thee
now?

What spot, or near or far apart,

Has rest for thee, my weary brow?

There is a spot, 'mid barren hills,
Where winter howls, and driving rain;
But, if the dreary tempest chills,

There is a light that warms again.
The house is old, the trees are bare,
Moonless above bends twilight's dome;
But what on earth is half so dear,

So longed for, as the hearth of home?

The mute bird sitting on the stone,

The dank moss dripping from the wall, The thorn-trees gaunt, the walks o'ergrown,

I love them, how I love them all!

Still, as I mused, the naked room,

The alien firelight died away;
And from the midst of cheerless gloom,
I passed to bright, unclouded day.

A little and a lone green lane

That opened on a common wide;

A distant, dreamy, dim blue chain
Of mountains circling every side:
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.

That was the scene, I knew it well;
I knew the turfy pathway's sweep,
That, winding o'er each billowy swell,
Marked out the tracks of wandering
sheep.

Even as I stood with raptured eye,

Absorbed in bliss so deep and dear, My hour of rest had fleeted by,

And back came labour, bondage, care.

Last Lines: No coward soul is mine

No coward soul is mine,

No trembler in the world's storm-troubled sphere.

I see Heaven's glories shine, And faith shines equal, arming me from fear.

O God within my breast,
Almighty, ever-present Deity!
Life-that in me has rest,

As I undying Life-have power in
Thee!

Vain are the thousand creeds
That move men's hearts: unutterably

vain;

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