VIII. BEAUTY. SHAKSPEARE. 1. BEAUTY is but a vain and doubtful good, A brittle glass that's broken presently; 2. And as good lost is seld or never found, As fading gloss no rubbing will refresh, As broken glass no cement can redress, IX. CUNNING AND DISCRETION. ADDISON. 1. CUNNING has only private, selfish aims, and sticks at nothing which may make them succeed. Discretion has large and extended views, and, like a well-formed eye, commands a whole horizon. Cunning is a kind of shortsightedness, that discovers the minutest objects which are near at hand, but is not able to discern things at a distance. Discretion, the more it is discovered, gives a greater authority to the person who possesses it. Discretion is the perfection of reason, and a guide to us in all the duties of life. 2. Cunning is a kind of instinct, that only looks out after our immediate interest and welfare. Discretion is only found in men of strong sense and good understand ings. Cunning is often to be met with in brutes themselves, and in persons who are but the fewest removes from them. In short, cunning is only the mimic of discretion, and may pass upon weak men, in the same manner as vivacity is often mistaken for wit, and gravity for wisdom. X. PROCRASTINATION. PERSIUS. Cor. UNHAPPY he who does his work adjourn, And to to-morrow would the search delay: His lazy morrow will be like to-day. Pers. But is one day of ease too much to borrow' ? Cor. Yes, sure; for yesterday was once to-morrow; That yesterday is gone, and nothing gained : And all thy fruitless days will thus be drained; And wilt be ever to begin thy task; Who, like the hindmost chariot-wheels, art cursed Still to be near, but ne'er to reach, the first. LESSON CXL. 1PAN' TO MIME, an actor who expresses his meaning by mute action, or gesticulation only, without speaking; a dumb show. It here means a silent exhibition of Nature. 1. (p.) ALL NATURE SPEAKS OF A SPIRIT-WORLD. HEA ANON. EARD ye the whisper of the breeze, Amid the shadowy forest-trees'? It tells, with meaning sigh, Of the bowers of bliss on that viewless shore, 2. While sweet and low in crystal streams That glitter in the shade, The music of an angel's dreams On bubbling keys are played; And their echoes breathe, with a mystic tone, 3. And when, at evening's silent hour, We stand on the ocean's shore, And feel the soul-subduing power Of its mysterious roar, There's a deep voice comes from its pearly caves, Of that land of peace which no ocean laves. 4. And while the shadowy vale of night And brilliants of unfathomed light There's a spell, a power, of harmonious love, 5. And Earth, in all her temples wild Our doubting fears to quell, Of another shore, and a brighter sphere, Where we haste on the wings of each flying year. 6. On Nature's bright and pictured scroll, A speaking language see: A pantomime1 the seasons roll, Of glorious imagery, That reveal a life in this fading clay, That shall wake again to a brighter day. 1. LESSON CXLI. "HOW MANIFOLD ARE THY WORKS!" 0 MISS A. Arnold. THOU, in whose almighty hand In wisdom hast Thou made them all. 2. The heavens are Thine-stars speak Thy praise, Point with a thousand trembling rays The pathway where Thy feet have trod! 3. How grand the ever-drifting clouds! That float along 'twixt earth and heaven! 4. But when Thy hand hath hushed the storm, The bright-hued rainbow bends above, And spans the misty vail of rain! LESSON CXLII. 1BEAR, one of two constellations in the northern hemisphere, called respectively the Greater and Lesser Bear, or Ursa Major and Ursa Minor. 2O RION, a large and bright constellation, crossed by the equinoctial line. WH TIMES AND SEASONS. L. H. GRINDON. HILE, to the poet and thoughtful man, the changes of times and seasons are in the highest degree beautiful and suggestive, even to the most indifferent and selfish they are surrounded with an agreeable interest. None view their progress without regard, however little they may be attracted by their sweet pictures and phenomena, or moved by the amenities and wisdom of their ministry. This is because the changes incidental to Nature are, on the one hand, a kind of counterpart or image of the occurrences and vicissitudes of human life; and on the other, the circumstances by which its business and pleasures are, in large measure, suggested and controlled. 2. The consummation of the old year, and the opening of the new, brings with it, accordingly, a fine significance, and a pleasurable importance. So, in their degree, the transitions of winter into spring, of spring into summer, of summer into autumn; and so, in their degree, the alternations of day and night. The longer the interval,' the more interesting is the change. 3. The close of the year occupies the foremost place in this universal interest, from its completing a well-defined and comprehensive cycle of natural mutations. It is by this circumstance rendered an appropriate epoch for the measurement of life and being; and hence there fasten on |