The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page 170
... Greek honeysuckle ornament , and such others . Thus , also , good pictures have always one light larger or brighter than the other lights , or one figure more prominent than the other figures , or one mass of colour dominant over all ...
... Greek honeysuckle ornament , and such others . Thus , also , good pictures have always one light larger or brighter than the other lights , or one figure more prominent than the other figures , or one mass of colour dominant over all ...
Page 127
John Ruskin. The capital of a Greek Doric pillar should be drawn fre- quently for exercise on this fourteenth problem , the curve of its echinus being exquisitely subtle , while the general contour is simple . PROBLEM XVI It is often ...
John Ruskin. The capital of a Greek Doric pillar should be drawn fre- quently for exercise on this fourteenth problem , the curve of its echinus being exquisitely subtle , while the general contour is simple . PROBLEM XVI It is often ...
Page 14
... Greek sense , the more musical , being one of the divisions of the Apolline power ; and it is so practically educa- tional , that if we are not using the faculty for colour to discipline nations , they will infallibly use it themselves ...
... Greek sense , the more musical , being one of the divisions of the Apolline power ; and it is so practically educa- tional , that if we are not using the faculty for colour to discipline nations , they will infallibly use it themselves ...
Page 20
... Greek coins , ( place the book open , so that you can see the opposite plate three or four yards off , ) you will find the relief on each of them simplifies itself into a pearl- like portion of a sphere , with exquisitely gradated light ...
... Greek coins , ( place the book open , so that you can see the opposite plate three or four yards off , ) you will find the relief on each of them simplifies itself into a pearl- like portion of a sphere , with exquisitely gradated light ...
Page 30
... Greeks knew well ; so that when it becomes a question in the dialogue of Minos , “ τίνι ὄντι τῇ ὄψει ὁρᾶται τὰ ὁρώμενα , ” the answer is “ αἰσθήσει ταῦτῃ τῇ διὰ τῶν ὀφθαλμῶν δηλοίσῃ ἡμῖν τὰ χρώματα . ” — “ What kind of power is the ...
... Greeks knew well ; so that when it becomes a question in the dialogue of Minos , “ τίνι ὄντι τῇ ὄψει ὁρᾶται τὰ ὁρώμενα , ” the answer is “ αἰσθήσει ταῦτῃ τῇ διὰ τῶν ὀφθαλμῶν δηλοίσῃ ἡμῖν τὰ χρώματα . ” — “ What kind of power is the ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...