The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page 95
... base of some great bowl , larger than you could easily hold , and sketch your hand as you see it in the glass , with the points of the fingers towards you , it will materi- ally help you in understanding the way trees generally hold out ...
... base of some great bowl , larger than you could easily hold , and sketch your hand as you see it in the glass , with the points of the fingers towards you , it will materi- ally help you in understanding the way trees generally hold out ...
Page 181
... base of the tower on each side to the ends of the bridge , in Fig . 34. , and effacing the curve ) , you will instantly see that the design has suffered grievously . You may ascertain , by experiment , that all beautiful objects what ...
... base of the tower on each side to the ends of the bridge , in Fig . 34. , and effacing the curve ) , you will instantly see that the design has suffered grievously . You may ascertain , by experiment , that all beautiful objects what ...
Page 198
... base and ridiculous , and would be fit only for the reasonably good ear of Bottom , as to explain why we like sweetness , and dislike bitterness . The best part of every great work is always inexplicable it is good because it is good ...
... base and ridiculous , and would be fit only for the reasonably good ear of Bottom , as to explain why we like sweetness , and dislike bitterness . The best part of every great work is always inexplicable it is good because it is good ...
Page 214
... base and ridiculous , and would be fit only for the reasonably good ear of Bottom , as to explain why we like sweetness , and dislike bitterness . The best part of every great work is always inexplicable it is good because it is good ...
... base and ridiculous , and would be fit only for the reasonably good ear of Bottom , as to explain why we like sweetness , and dislike bitterness . The best part of every great work is always inexplicable it is good because it is good ...
Page 223
... base ones , as Murillo , Sal- vator , Claude , Gasper Poussin , Teniers , and such others . You may look , however , for examples of evil , with safe universality ' I do not mean necessarily to imply inferiority of rank , in saying.that ...
... base ones , as Murillo , Sal- vator , Claude , Gasper Poussin , Teniers , and such others . You may look , however , for examples of evil , with safe universality ' I do not mean necessarily to imply inferiority of rank , in saying.that ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...