The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page vii
... colours almost as soon as it has sense enough to wish for them . If it merely daubs the paper with shapeless stains , the colour - box may be taken away till it knows better : but as soon as it begins painting red 14 -1 coats on ...
... colours almost as soon as it has sense enough to wish for them . If it merely daubs the paper with shapeless stains , the colour - box may be taken away till it knows better : but as soon as it begins painting red 14 -1 coats on ...
Page viii
... colours at command ; and , without restraining its choice of 14 subject in that imaginative and historical art , of a ... colour should only be granted as a reward , after it has shown care and progress in its drawings with pencil . A ...
... colours at command ; and , without restraining its choice of 14 subject in that imaginative and historical art , of a ... colour should only be granted as a reward , after it has shown care and progress in its drawings with pencil . A ...
Page xiv
... colour . I believe that the endeavour to separate , in the course of instruction , the observation of light and shade from that of local colour , has always been , and must always be , destructive of the student's power of accurate ...
... colour . I believe that the endeavour to separate , in the course of instruction , the observation of light and shade from that of local colour , has always been , and must always be , destructive of the student's power of accurate ...
Page 22
... colour of primroses ) ; and , if there were prim- roses near , we should think that the sunlighted grass was another mass of plants of the same sulphur - yellow colour . We should try to gather some of them , and then find that the colour ...
... colour of primroses ) ; and , if there were prim- roses near , we should think that the sunlighted grass was another mass of plants of the same sulphur - yellow colour . We should try to gather some of them , and then find that the colour ...
Page 23
... colour ; and the first thing to be learned is , how to produce extents of smooth colour , without texture . This can only be done properly with a brush ; but a brush , being soft at the point , causes so much uncertainty in the touch of ...
... colour ; and the first thing to be learned is , how to produce extents of smooth colour , without texture . This can only be done properly with a brush ; but a brush , being soft at the point , causes so much uncertainty in the touch of ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...