The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page xvii
... glass , but as high or as low as the student likes ; ther with a brush at the end of a stick , and a little body - colour that will adhere to the glass , the lines of the landscape may be traced on the glass , as you see them through it ...
... glass , but as high or as low as the student likes ; ther with a brush at the end of a stick , and a little body - colour that will adhere to the glass , the lines of the landscape may be traced on the glass , as you see them through it ...
Page 30
... glass in the window you look through as a piece of paper coloured blue , or grey , or purple , as it happens to be , and observe how quietly and con- tinuously the gradation extends over the space in the window , of one or two feet ...
... glass in the window you look through as a piece of paper coloured blue , or grey , or purple , as it happens to be , and observe how quietly and con- tinuously the gradation extends over the space in the window , of one or two feet ...
Page 54
... glass , as a wine - glass , or the ink - bottle , and play it about a little on the side of your hand farthest from the window ; you will presently find you are throwing gleams of light all over the dark side of your hand , and in some ...
... glass , as a wine - glass , or the ink - bottle , and play it about a little on the side of your hand farthest from the window ; you will presently find you are throwing gleams of light all over the dark side of your hand , and in some ...
Page 55
... glass beside the hand of one of his figures , and because he had beer taught by rule that " shadow was darker than the dark side , " he would never think of the reflection from the glass , but paint a dark grey under the hand , just as ...
... glass beside the hand of one of his figures , and because he had beer taught by rule that " shadow was darker than the dark side , " he would never think of the reflection from the glass , but paint a dark grey under the hand , just as ...
Page 72
... glass held at the same distance from the eye at which you mean to hold your drawing . You can always ascertain this full size of any object by holding your paper upright before you , at the distance from your eye at which you wish your ...
... glass held at the same distance from the eye at which you mean to hold your drawing . You can always ascertain this full size of any object by holding your paper upright before you , at the distance from your eye at which you wish your ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...