The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page ix
... published on the subject of drawing are all directed , as far as I know , to one or other of twe objects . Either they propose to give the student a power of dexterous sketching with pencil or water - colour , so PREFACE . ix.
... published on the subject of drawing are all directed , as far as I know , to one or other of twe objects . Either they propose to give the student a power of dexterous sketching with pencil or water - colour , so PREFACE . ix.
Page x
... object kept chiefly in view at Marlborough House , and in the branch Government Schools of Design . Of the fitness of the modes of study adopted in those schools , to the end specially intended , judgment is hardly yet possible ; only ...
... object kept chiefly in view at Marlborough House , and in the branch Government Schools of Design . Of the fitness of the modes of study adopted in those schools , to the end specially intended , judgment is hardly yet possible ; only ...
Page xii
... object , and soon finds enter- tainment in his efforts and interest in his difficulties . Of course the simplest object which it is possible to set before the eye is a sphere ; and practically , I find a child's toy , a white leather ...
... object , and soon finds enter- tainment in his efforts and interest in his difficulties . Of course the simplest object which it is possible to set before the eye is a sphere ; and practically , I find a child's toy , a white leather ...
Page xiv
... object he chooses to study , is serviceable , among other reasons , just because it gets rid of systematic rules altogether , and teaches people to draw , as country lads learn to ride , without saddle or stirrups ; my main object being ...
... object he chooses to study , is serviceable , among other reasons , just because it gets rid of systematic rules altogether , and teaches people to draw , as country lads learn to ride , without saddle or stirrups ; my main object being ...
Page 22
... object in which it appears is far away . The whole technical power of painting depends on our recovery of what may be called the innocence of the eye ; that is to say , a sort of childish perception of these flat stains of colour ...
... object in which it appears is far away . The whole technical power of painting depends on our recovery of what may be called the innocence of the eye ; that is to say , a sort of childish perception of these flat stains of colour ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...