The Works of John Ruskin: The elements of drawing. The elements of perspective. Aratra penteliciJ. Wiley, 1889 |
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Page 23
... success of painting is , that many of the real colours are brighter and paler than it is possible to put on canvass : we must put darker ones to represent them a beginner must be content to do so for a LET . 1. ] 23 ON FIRST PRACTICE .
... success of painting is , that many of the real colours are brighter and paler than it is possible to put on canvass : we must put darker ones to represent them a beginner must be content to do so for a LET . 1. ] 23 ON FIRST PRACTICE .
Page 33
... represented by the leaden tone which you get by rubbing , or by an instrument known to artists as the " stump . " When you can manage the point properly , you will indeed be able to do much also with this instrument , or with your ...
... represented by the leaden tone which you get by rubbing , or by an instrument known to artists as the " stump . " When you can manage the point properly , you will indeed be able to do much also with this instrument , or with your ...
Page 37
... represents the ramification of a small stone pine , only I have not endeavoured to represent the pencil shading within the outline , as I could not easily express it in a woodcut ; and you have nothing to do at present with the ...
... represents the ramification of a small stone pine , only I have not endeavoured to represent the pencil shading within the outline , as I could not easily express it in a woodcut ; and you have nothing to do at present with the ...
Page 38
... representing depth of colour by depth of shade . Thus a pat- tern of ultramarine blue will have to be represented by a darker tint of grey than a pattern of yellow . And now it is both time for you to begin to learn the mechanical use ...
... representing depth of colour by depth of shade . Thus a pat- tern of ultramarine blue will have to be represented by a darker tint of grey than a pattern of yellow . And now it is both time for you to begin to learn the mechanical use ...
Page 44
... represent that crimson or blue in your light and shade drawing . Next , prepare scales with gamboge , cobalt , and vermilion You will find that you cannot darken these beyond a certain point ; for yellow and scarlet , so long as they ...
... represent that crimson or blue in your light and shade drawing . Next , prepare scales with gamboge , cobalt , and vermilion You will find that you cannot darken these beyond a certain point ; for yellow and scarlet , so long as they ...
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Common terms and phrases
angles arch artists Athena bas-relief beautiful blue boughs brush character chiaroscuro circle clouds colour construction COROLLARY curve cutting the sight-line Dædalus dark delicate distance dividing-point draw edge engraving equal expression figure FIND THE VANISHING-POINT flat give given in position gradation Greek grey hand horizontal line HORIZONTAL PLANE Idolatry imitate inclined line Join kind leaf leaves LET A B light and shade line A B look masses measuring-line merely Nature never object observe outline painter painting paper Paul Veronese pencil Phidias picture piece Pindar plane plate polygonal position and magnitude practice Problem produce Prussian blue pyramid racter rectangle represent round sculpture seen shadow side sight-magnitude sight-point sketch square stone stone pine student surface things tint Titian touch tree true Turner vertical line Zeus
Popular passages
Page 116 - Set me as a seal upon thine heart, as a seal upon thine arm : for love is strong as death ; jealousy is cruel as the grave : the coals thereof are coals of fire, which hath a most vehement flame...
Page 153 - ... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than from nature of colour.
Page xi - I would rather teach drawing that my pupils may learn to love Nature, than teach the looking at Nature that they may learn to draw.
Page 188 - Now in art every colour has an opponent colour, which, if brought near it, will relieve it more completely than any other ; so, also, every form and line may be made more striking to the eye by an opponent form or line near them ; a curved line is set off by a straight...
Page viii - God, by which the heavens were of old, and the earth, standing out of the water and in the water...
Page 178 - Rivers in this way are just like wise men, who keep one side of their life for play and another for work ; and can be brilliant, and chattering, and transparent when they are at ease, and yet take deep counsel on the other side when they set themselves to the main purpose.
Page 167 - Thus a musician composes an air, by putting notes together in certain relations ; a poet composes a poem, by putting thoughts and words in pleasant order ; and a painter a picture, by putting thoughts, forms, and colours in pleasant order. In all these cases, observe, an intended unity must be the result of composition. A paviour cannot be said to compose the heap of stones which he empties from his cart, nor the sower the handful of seed which he scatters from his hand. It is the essence of composition...