 | John Ruskin - 1857 - 400 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large...opacity resulting far more from equality of colour than from nature of colour. Give me some mud off a city crossing, some ochre out of a gravel pit, a little... | |
 | John Ruskin - 1857 - 430 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large...opacity resulting far more from equality of colour than from nature of colour. Give me some mud off a city crossing, some ochre out of a gravel pit, a little... | |
 | John Ruskin - 1858 - 244 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large...opacity resulting far more from equality of colour than from nature of colour. Give me some mud off a city crossing, some ochre out of a gravel pit, a little... | |
 | George Field - 1869 - 524 pages
...blue — over all the rest of the space it occupies. In Turner's largest oil pictures, there is not one spot of colour as large as a grain of wheat ungradated ; and it will be found in practice that brilliancy of hue, vigour of light, and even the aspect of transparency... | |
 | John Ruskin - 1873 - 578 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large as a grain of wheat \ingradated : and you will find in practice, that brilliancy of hue, and vigour of light, and even... | |
 | John Ruskin - 1877 - 248 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large...essentially dependent on this character alone ; hardness, cold ness, and opacity resulting far more from equality of colour than from nature of colour. Give... | |
 | Ogden Nicholas Rood - 1881 - 376 pages
...speaking of gradation of colour, says : " You will find in practice that brilliancy of hue and vigor of light, and even the aspect of transparency in shade,...opacity resulting far more from equality of colour than from nature of colour." In another place the same author, in giving advice to a beginner, says : "... | |
 | Henry Peach Robinson - 1881 - 208 pages
...Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of color as large as a grain of wheat ungradated; and you will find in practice that brilliancy of hue and vigor of light, and even the aspect of transparency in shade, are essentially dependent on this character... | |
 | John Ruskin - 1888 - 576 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large...opacity resulting far more from equality of colour than from nature of colour. Give me some mud off a city crossing, some ochre out of a gravel pit, a little... | |
 | John Ruskin - 1888 - 272 pages
...securing a gradation. You will not, in Turner's largest oil pictures, perhaps six or seven feet long by four or five high, find one spot of colour as large as a grain of wheat nngradated: and you will find in practice, that brilliancy of hue, and vigour of light, and even the... | |
| |
... you will find in practice, that brilliancy of hue, and vigour of light, and even the aspect of transparency in shade, are essentially dependent on this character alone ; hardness, coldness, and opacity resulting far more from equality of colour than... 
