Yale/theatre, Volume 5

action actors artistic audience become begins better called characters Chicago CLARISSE closed comes Compass created crosses directed director don't door drama enters Eteocles everything Exit face fact father FAVART feel Fischer followed give Groucho hand happened Harry head idea improvisational interested Isabella It's Julie Karl keep kind King later laugh leave light live look Macbeth mean MOTHER move nature never night once performance person play players political present production Rachel Scene Second City seems seen sense Sills sits speak stage standing stop story successful talk tell That's theatre theatrical thing thought turns VENTROUX Victor voice What's woman write York young