Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 34
... Croatian anthropologist Dunja Rihtman - Augustin brings into discussion a number of examples from Croatian public discourse that demonstrate this abhorrence of belonging to the Balkans , revealing the trope as one of the main rhetorical ...
... Croatian anthropologist Dunja Rihtman - Augustin brings into discussion a number of examples from Croatian public discourse that demonstrate this abhorrence of belonging to the Balkans , revealing the trope as one of the main rhetorical ...
Page 117
... Croatian state is fascist in its nature . At the time he launched his criticism , Finkielkraut had not yet seen the movie . But he had already publicly committed himself to the Croatian cause . He had also recently visited the Croatian ...
... Croatian state is fascist in its nature . At the time he launched his criticism , Finkielkraut had not yet seen the movie . But he had already publicly committed himself to the Croatian cause . He had also recently visited the Croatian ...
Page 142
... Croatian - American community wrote letters to The New York Times and The Washington Post accusing the film of being biased in favour of the Serbs and intentionally vilifying the Croats , thus inciting critics to scrutinise the film for ...
... Croatian - American community wrote letters to The New York Times and The Washington Post accusing the film of being biased in favour of the Serbs and intentionally vilifying the Croats , thus inciting critics to scrutinise the film for ...
Contents
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Narrative and Putative History | 71 |
Copyright | |
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