Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 58
... Greek Islands : zest and flamboyance Works in fictional film - recent , as well as classical - have further constructed the Balkans in this direction . The structure of the plot and the narrative strategies used to tell stories that ...
... Greek Islands : zest and flamboyance Works in fictional film - recent , as well as classical - have further constructed the Balkans in this direction . The structure of the plot and the narrative strategies used to tell stories that ...
Page 60
... Greek , not English : Zorba has not been to the USA , he does not know English and it is the Briton , of mixed ethnic background , who speaks Greek . In the film , all explanations of why and how Zorba has become what he is are deleted ...
... Greek , not English : Zorba has not been to the USA , he does not know English and it is the Briton , of mixed ethnic background , who speaks Greek . In the film , all explanations of why and how Zorba has become what he is are deleted ...
Page 69
... Greek ' in quotation marks here , as neither of these films is truly Greek - Never on Sunday was written and directed by a Westerner ; Zorba the Greek was produced by an American company ( 20th Century - Fox ) , starred British actors ...
... Greek ' in quotation marks here , as neither of these films is truly Greek - Never on Sunday was written and directed by a Westerner ; Zorba the Greek was produced by an American company ( 20th Century - Fox ) , starred British actors ...
Contents
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Narrative and Putative History | 71 |
Copyright | |
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