Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
From inside the book
Results 1-3 of 44
Page 6
... approach throughout the text involve the way I look at the concept of ' Balkans ' and at the issues of transition and context . Balkans In my approach I retain ' the Balkans ' as a common denominator when refer- ring to this diverse and ...
... approach throughout the text involve the way I look at the concept of ' Balkans ' and at the issues of transition and context . Balkans In my approach I retain ' the Balkans ' as a common denominator when refer- ring to this diverse and ...
Page 73
... approaches . The explicit approach is dictated by the political and social context in which the film is made , while the implicit one pursues the creation of a cinematic text , which is then judged by historical criteria . Due to the ...
... approaches . The explicit approach is dictated by the political and social context in which the film is made , while the implicit one pursues the creation of a cinematic text , which is then judged by historical criteria . Due to the ...
Page 107
... approach and looks at the cinema of the Balkans comprehensively . Only a consideration that would investigate historical films from the region in a comparative light will allow us to pinpoint the clusters of historical disagreements ...
... approach and looks at the cinema of the Balkans comprehensively . Only a consideration that would investigate historical films from the region in a comparative light will allow us to pinpoint the clusters of historical disagreements ...
Contents
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Narrative and Putative History | 71 |
Copyright | |
12 other sections not shown
Other editions - View all
Common terms and phrases
Albanian Aleksandar American Arkan audiences Balkan Balkan cinema Balkan countries Balkan film Balkan film-makers Belgrade Bernard-Henri Lévy Bosnian Bosnian war Bulgaria camp Chetnik civilisations claim context coverage critical Croat Croatian cultural depicted director discourse discussion documentary Dragojević Dušan Makavejev Eastern Europe Emir Kusturica ethnic European example experiences explored feature films feminist Film Festival film's footage former Yugoslavia Gaze German Goran Goran Paskaljević Greece Greek Gypsies Holocaust identity intellectuals interview Islamic issues journalists killed Kosovo Kusturica lives look Lordan Zafranović Macedonia Manchevski Marko migration moral Muslim narrative nationalist Ophuls Ottoman perpetrators political Pretty Flame Pretty Village propaganda protagonists rape realise region remains reports representations role Roma Romanian Sarajevan Sarajevo scenes seen Serbian Serbs shot siege Srdjan story take sides talk Theo Angelopoulos Tito turbo-folk Ulysses Underground victims villains violence Vukovar West Western women writing Yugoslav Zafranović Želimir Žilnik