Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 68
Balkan Film, Culture and the Media Dina Iordanova. untary self - bashing is that the issue of the Balkans ... makers of Third Cinema had an alternative ideology to propose to counter the dominant Western model . They resisted it ; they wanted ...
Balkan Film, Culture and the Media Dina Iordanova. untary self - bashing is that the issue of the Balkans ... makers of Third Cinema had an alternative ideology to propose to counter the dominant Western model . They resisted it ; they wanted ...
Page 89
Balkan Film, Culture and the Media Dina Iordanova. Chapter 5 Balkan Film and History : The Politics of Historical Collage While historians claim they work with a firm set of criteria to secure objectiv- ity , film - makers have no ...
Balkan Film, Culture and the Media Dina Iordanova. Chapter 5 Balkan Film and History : The Politics of Historical Collage While historians claim they work with a firm set of criteria to secure objectiv- ity , film - makers have no ...
Page 280
Balkan Film, Culture and the Media Dina Iordanova. While many of the ... makers who were teenagers at the time , both revisiting the topic of war two ... film - makers themselves will look back at the issues of taking sides , villains and ...
Balkan Film, Culture and the Media Dina Iordanova. While many of the ... makers who were teenagers at the time , both revisiting the topic of war two ... film - makers themselves will look back at the issues of taking sides , villains and ...
Contents
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Copyright | |
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