Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 153
... journalist , in what is happening to these people in Sarajevo without choosing sides . Certainly the very few journalists I have met who tried to maintain the neutral stance or came out on the Serbian side seemed to me to be agents ...
... journalist , in what is happening to these people in Sarajevo without choosing sides . Certainly the very few journalists I have met who tried to maintain the neutral stance or came out on the Serbian side seemed to me to be agents ...
Page 241
... journalists and film - makers repeatedly reg- istered their surprise . Even modelling and beauty pageants were kept alive in Sarajevo - the 1994 ' Miss Sarajevo ' pageant , held at a time when the mortars ' cannonade could be heard in ...
... journalists and film - makers repeatedly reg- istered their surprise . Even modelling and beauty pageants were kept alive in Sarajevo - the 1994 ' Miss Sarajevo ' pageant , held at a time when the mortars ' cannonade could be heard in ...
Page 250
... journalists . Fine wondered if it all was not ' too little too late ? 25 Journalist Janine di Giovanni , who had also worked in Sarajevo , admitted she felt angry with the film . She could not help thinking : ' Where were you in 1993 ...
... journalists . Fine wondered if it all was not ' too little too late ? 25 Journalist Janine di Giovanni , who had also worked in Sarajevo , admitted she felt angry with the film . She could not help thinking : ' Where were you in 1993 ...
Contents
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Narrative and Putative History | 71 |
Copyright | |
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