Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 82
... killed . ' So when he comes back to Macedonia , it is not just for a visit ; he returns armed with a superior consciousness of the devastation that rages nearby . He comes prepared to take sides against his own people , if needed ...
... killed . ' So when he comes back to Macedonia , it is not just for a visit ; he returns armed with a superior consciousness of the devastation that rages nearby . He comes prepared to take sides against his own people , if needed ...
Page 164
... killed by her own relatives , and so is Aleksandar , the photographer . The violent guy who terrorises the London restaurant in the second part of the film , presumably a Serbian and certainly a ' dark Balkan subject ' , resorts to ...
... killed by her own relatives , and so is Aleksandar , the photographer . The violent guy who terrorises the London restaurant in the second part of the film , presumably a Serbian and certainly a ' dark Balkan subject ' , resorts to ...
Page 253
... killed , and an inter- national one tracked down the story of the tragic fate of the inter - ethnic couple who were killed while trying to escape.39 Both domestic and international shorts showed hungry people and stray dogs scavenging ...
... killed , and an inter- national one tracked down the story of the tragic fate of the inter - ethnic couple who were killed while trying to escape.39 Both domestic and international shorts showed hungry people and stray dogs scavenging ...
Contents
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Narrative and Putative History | 71 |
Copyright | |
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