A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and HollandH.G. Bohn, 1855 - 416 pages |
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Page xii
... placed under the head of principal masters is contrary to received canons : but it is well known that many of those now held in the highest estimation were formerly in little request , if not quite dis- regarded : Cuyp , Hobbema , De ...
... placed under the head of principal masters is contrary to received canons : but it is well known that many of those now held in the highest estimation were formerly in little request , if not quite dis- regarded : Cuyp , Hobbema , De ...
Page xiii
... placed at the heads of classes , but for fear of causing con- fusion by too many subdivisions . To facilitate the amateur's acquirement of the knowledge of the works of the most distinguished of the Dutch and Flemish painters , the ...
... placed at the heads of classes , but for fear of causing con- fusion by too many subdivisions . To facilitate the amateur's acquirement of the knowledge of the works of the most distinguished of the Dutch and Flemish painters , the ...
Page xxvi
... placed perpendicularly . This mode of designing the figure is chiefly used by artists in painting domes and ceilings . In these cases it is called by the Italians , di sotto in su , from below upwards . FRESCO . An Italian word used to ...
... placed perpendicularly . This mode of designing the figure is chiefly used by artists in painting domes and ceilings . In these cases it is called by the Italians , di sotto in su , from below upwards . FRESCO . An Italian word used to ...
Page 1
... placed at the head of the Dutch landscape painters , not only for the beauty of his selections from na- ture , but for the poetical feeling evinced in the represent- ation , and the skilful manner of the execution . It is not necessary ...
... placed at the head of the Dutch landscape painters , not only for the beauty of his selections from na- ture , but for the poetical feeling evinced in the represent- ation , and the skilful manner of the execution . It is not necessary ...
Page 8
... of picturesque ob- jects . With his clusters of richly foliated umbrageous trees , he loved to introduce one , or more , in a state of natural de- In cay , which he placed in a conspicuous situation , 8 JAN WYNANTS . JAN WYNANTS.
... of picturesque ob- jects . With his clusters of richly foliated umbrageous trees , he loved to introduce one , or more , in a state of natural de- In cay , which he placed in a conspicuous situation , 8 JAN WYNANTS . JAN WYNANTS.
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admirable Adrian Albert Albert Cuyp Albert Durer altar-piece amateur Analogists animals artist attributed beauty Berchem born at Amsterdam born at Antwerp born at Haerlem born at Utrecht Bruges Brussels chiaroscuro churches colouring compositions Cuyp dead game died Dutch Dyck edition of Bryan's eminent England excellent execution Eyck finished Flemish Francis fruit and flowers Gallery Gerard Dou Hague Hans Hemling head of Principal Hemling Holland hunting Italian Italy JACOB Jan Asselyn Jan Steen Jan van Huysum Karel du Jardin landscapes and cattle manner master Metsu Mieris native numerous objects Ostade painted landscapes painted small painter Paul Potter penciling PETER Philip Wouwerman Poelemburg portrait painter Principal Painters Rembrandt represented resemblance Rome Ruisdael scenery scenes scholar of Rubens Scholars and Imitators small landscapes Smith's Catalogue Raisonné studied style subjects supposed talent taste Teniers tion Trans tures Utrecht Vander Velde views vols Wouwerman writers