As in the instances I have given, we have epitomized many of our particular words to the detriment of our tongue, so on other occasions we have drawn two words into one, which has likewise very much untuned our language, and clogged it with consonants, as mayn't, can't, sha'n't, wo'n't, and the like, for may not, cannot, shall not, will not, &c. It is perhaps this humour of speaking no more than we needs must, which has so miserably curtailed some of our words, that in familiar writings and conversations they often lose all but their first syllables, as in mob. rep. pos. incog. and the like; and as all ridiculous words make their first entry into a language by familiar phrases, I dare not answer for these that they will not in time be looked upon as a part of our tongue. We see some of our poets have been so indiscreet as to imitate Hudibras's doggrel expressions in their serious compositions, by throwing out the signs of our substantives, which are essential to the English language. Nay, this humour of shortening our language had once run so far, that some of our celebrated authors, among whom we may reckon Sir Roger L'Estrange in particular, began to prune their words of all superfluous letters, as they termed them, in order to adjust the spelling to the pronunciation; which would have confounded all our etymologies, and have quite destroyed our tongue. We may here likewise observe, that our proper names, when familiarized in English, generally dwindle to monosyllables, whereas in other modern languages they receive a softer turn on this occasion, by the addition of a new syllable. Nick in Italian is Nicolini; Jack, in French Janot; and so of the rest. There is another particular in our language which is a great instance of our frugality in words, and that is the suppressing of several particles which must be produced in other tongues to make a sentence intelligible: this often perplexes the best writers, when they find the relatives whom, which, or they, at their mercy, whether they may have admission or not, and will never be decided till we have something like an academy, that, by the best authorities and rules drawn from the analogy of languages, shall settle all controversies between grainmar and idiom. I have only considered our language, as it shows the ge nius and natural temper of the English, which is modest, thoughtful, and sincere, and which perhaps may recommend the people, though it has spoiled the tongue. We might perhaps carry. the same thought into other languages, and deduce a great part of what is peculiar to them from the genius of the people who speak them. It is certain the light, talkative humour of the French has not a little infected their tongue, which might be shown by many instances; as the genius of the Italians, which is so much addicted to music and ceremony, has moulded all their words and phrases to those particular uses. The stateliness and gravity of the Spaniards shows itself to perfection in the solemnity of their language; and the blunt, honest humour of the Germans sounds better in the roughness of the High Dutch, than it would in a politer tongue. No. 159. SATURDAY, SEPTEMBER 1. -Omnem quæ nunc obducta tuenti Mortales hebetat visus tibi, et humida circum VIRG. WHEN I was at Grand Cairo I picked up several oriental manuscripts, which I have still by me. Among others I met with one entitled, The Visions of Mirzah, which I have read over with great pleasure. I intend to give it to the public when I have no other entertainment for them; and shall begin with the first vision, which I have translated word for word as follows: "ON the fifth day of the moon, which according to the custom of my forefathers I always kept holy, after having washed myself, and offered up my morning devotions, I ascended the high hills of Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life; and passing from one thought to another, surely, said I, man is but a shadow and life a dream. Whilst I was thus musing, I cast my eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a musical instrument in his hand. As I looked upon him he This musical apparatus was intended, not only to raise the thoughts of Mirzah, as is observed, to taste the pleasures of the following conversa. applied it to his lips, and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in paradise, to wear out the impressions of their last agonies, and qualify them for the pleasures of that happy place. My heart melted way in secret raptures. "I had been often told that the rock before me was the naunt of a genius; and that several had been entertained with music who had passed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts, by those transporting airs which he played, to taste the pleasures of his conversation, as I looked upon him like one astonished, he beckoned to me, and by the waving of his hand directed me to approach the place where he sat. I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compassion and affability that familiarized him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and taking me by the hand, Mirzah, said he, I have heard thee in thy soliloquies, follow me. “He then led me to the highest pinnacle of the rock, and placed me on the top of it. Cast thy eyes eastward, said he, and tell me what thou seest. I see, said I, a huge valley and a prodigious tide of water rolling through it. The valley that thou seest, said he, is the vale of misery, and the tide of water that thou seest is part of the great tide of eternity. What is the reason, said I, that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other? What thou seest, says he, is that portion of eternity which is called time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now, said he, this sea that is thus bounded ticn; but to raise our ideas of that charming philosophy, which is the subject of it"Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute-" MILTON. with darkness at both ends, and tell me what thou discoverest in it. I see a bridge, said I, standing in the midst of the tide. The bridge thou seest, said he, is human life; consider it attentively. Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which added to those that were entire, made up the number about an hundred. As I was counting the arches the genius told me that this bridge consisted at first of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. But tell me further, said he, what thou discoverest on it. I see multitudes of people passing over it, said I, and a black cloud hanging on each end of it. As I looked more attentively, I saw several of the passengers dropping through the bridge, into the great tide that flowed underneath it; and upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge, which the passengers no sooner trod upon, but they fell through them into the tide and immediately disappeared. These hidden pit-falls were set very thick at the entrance of the bridge, so that throngs of people no sooner broke through the cloud, but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire. "There were indeed some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through one after another, being quite tired and spent with so long a walk. "I passed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves. Some were looking up towards the heavens in 'I before observed [in No. 56] this licentious use of but for than. The same fault occurs here, in two sentences together; and is the more offensive in both, because but meets us again (in its proper sense, indeed) ir the next sentence. Whatever authorities may be pleaded for this practice, it is better always to avoid it; because but is so frequently and necessarily employed in its common adversative sense, that to use it comparatively too would hurt the ear by a repetition of the same sound, if this sense of it were, otherwise, allowable. a thoughtful posture, and in the midst of a speculation stumbled and fell out of sight. Multitudes were very busy in the pursuit of baubles that glittered in their eyes and danced before them, but often when they thought themselves within the reach of them, their footing failed and down they sunk. In this confusion of objects, I observed some with scimetars in their hands, and others with urinals, who ran to and fro upon the bridge, thrusting several persons on trap-doors which did not seem to lie in their way, and which they might have escaped, had they not been thus forced upon them. "The genius seeing me indulge myself in this melancholy prospect, told me I had dwelt long enough upon it: take thine eyes off the bridge, said he, and tell me if thou seest anything thou dost not comprehend. Upon looking up, what mean, said I, those great flights of birds that are perpetually hovering about the bridge, and settling upon it from time to time? I see vultures, harpies, ravens, cormorants, and among many other feathered creatures, several little winged boys, that perch in great numbers upon the middle arches. These, said the genius, are envy, avarice, superstition, despair, love, with the like cares and passions, that infect human life. " here fetched a deep sigh; alas, said I, man was made in vain! How is he given away to misery and mortality! tortured in life, and swallowed up in death! The genius, being moved with compassion towards me, bid me quit so uncomfortable a prospect. Look no more, said he, on man in the first stage of his existence, in his setting out for eternity; but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it. I directed my sight as I was ordered, and (whether or no the good genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate) I saw the valley opening at the farther end, and spreading forth into an immense ocean, that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one half of it, insoinuch that I could discover nothing in it: but the other appeared to me a vast ocean planted with innumerable islands, that were covered with fruits and flowers, and interwoven with a thousand little shining seas that ran among them. I could see persons dressed in glorious habits with gar 1 This stroke of ridicule is ill-placed in so serious a paper. |