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placed the Egyptian, and the writing in common use among the people, called to-day “demotic" or "enchorial,” and anciently “ epistolographic," completely usurped the place of the “hieratic” or cursive form of hieroglyphic writing. Although the Greeks and Romans appear not to have studied hieroglyphics thoroughly, only repeating, generally, what they were told about certain signs, nevertheless writers like Herodotus, Diodorus Siculus, Strabo, Hermapion, Chaeremon, Clemens Alexandrinus, and Horapollo, contribute information
on this subject of considerable value. Greek
To Hecataeus of Miletus, who visited Egypt between upon
B.C. 513-501, we owe, through Herodotus, much knowledge Egyptian of Egypt, and he must be considered the earliest Greek writer hieroglyphics. upon Egypt. Hellanitus of Mytilene, B.C. 478-393, shows
in his Ayurttiakà that he has some accurate knowledge of the meaning of some hieroglyphic words. ? Democritus wrote upon the hieroglyphics of Meroë, but this work is lost. Herodotus says that the Egyptians used two quite different kinds of writing, one of which is called sacred (hieroglyphic), the other common • (demotic). Diodorus says that the Ethiopian letters are called by the Egyptians
hieroglyphics.” 5 Strabo, speaking of the obelisks at Thebes, says that there are inscriptions upon them which proclaim the riches and power of their kings, and that their rule extends even to Scythia, Bactria, and India. Chaeremon of Naucratis, who lived in the first half of the first century after Christ, and who must be an entirely different person from Chaeremon the companion of Aelius Gallus (B.C. 25), derided by Strabo,' and charged with lying by Josephus, Greek
See De rerum Aegyptiacarum scriptoribus Graecis ante Alexandrum Magnum, in Philologus, Bd. X. s. 525.
? See the instances quoted in Philologus, Bd. X. s. 539.
IIepi Tūv év Mepóy itpūv ypanuárwv. Diogenes Laertius, Vit. Democ., ed. Isaac Casaubon, 1593, p. 661.
4 Και τα μεν αυτών ιρά, τα δε δημοτικά καλέεται. Ηerodotus, ΙΙ. 36, ed. Didot, p. 84.
5 Diodorus, III. 4, ed. Didot, p. 129.
* According to Mommsen he came to Rome, as tutor to Nero, in the reign of Claudius. Provinces of Rome, Vol. II. pp. 259, 273.
writers wrote a work on Egyptian hieroglyphics & Trepi Tôv iepôv
upon ypappátwv, which has been lost. He appears to have been Egyptian attached to the great library of Alexandria, and as he was phics. a “sacred scribe,” it may therefore be assumed that he had access to many important works on hieroglyphics, and that he understood them. He is mentioned by Eusebius* as Xaipńuwv ó leporypajuateús, and by Suidas, but neither of these writers gives any inforınation as to the contents of his work on hieroglyphics, and we should have no idea of the manner of work it was but for the extract preserved by John Tzetzes (TEÉTÇns, born about A.D. 1110, died after John
Tzetzes on A.D. 1180). Tzetzes was a man of considerable learning and Egyptian literary activity, and his works have value on account of the hierogly
phics. lost books which are quoted in them. In his Chiliades? (Bk. V., line 395) he speaks of ó Aiyúttlos lepoypapuateùs Xaip“μων, and refers to Chaeremon's διδάγματα των ιερών γραμμά
In his Exegesis of Homer's Iliad he gives an extract from the work itself, and we are able to see at once that it was written by one who was able to give his information at first hand. This interesting extract was first brought to the notice of the world by the late Dr. Birch, who published a paper on it in the Transactions of the Royal Society of Literature, Vol. III., second series, 1850, pp. 385-396. In it he quoted the Greek text of the extract, from the edition of Tzetzes' Exegesis, first published by Hermann, and added remarks and hieroglyphic characters illustrative of it, together with the scholia of Tzetzes, the text of which he emended in places. As this extract is so important for the history of
1 Γελώμενος δε το πλέον ως αλαζών και ιδιώτης. Strabo, ΧVΙΙ. Ι, 8 29, ed. Didot, p. 685.
? Contra Apion., I. 32 ff. On the identity of Chaeremon the Stoic philo. sopher with Chaeremon the iepoypajuateùs, see Zeller, Hermes, XI. s. 431.
3 His other lost work, Aiguntlaká, treated of the Exodus.
6 For an account of them see Krumbacher, Geschichte aer Byzantinischen Literatur, München, 1891, pp. 235-242.
7 Ed. Kiessling, Leipzig, 1826, p. 191.
8 Draconis Stratonicensis Liber de Metris Poeticis. Joannis Tzetzae Exegesis in Homeri Iliadem. Primum edidit ..... God. Ilermannus, Lipsiae, 1812.
the study of hieroglyphics, it is given here, together with the scholia on it, from the excellent edition of the Greek text, by Lud. Bachmann, Scholia in Homeri Iliadem, Lipsiae, 1835, pp. 823, $ 97 and 838, with an English translation.
Extract “Όμηρος δε, παιδευθείς ακριβώς δε πάσαν μάθησιν εκ των συμβολιfrom Tzetzes'
κών Αιθιοπικών γραμμάτων, ταυτά φησιν· οι γάρ Αιθίοπες στοιχεία work on
γραμμάτων ουκ έχουσιν, αλλ' αντ' αυτών ζωα παντοία, και μέλη τούτων the Iliad. και μόρια· βουλόμενοι γάρ οι αρχαιότεροι των ιερογραμματέων τον περί
θεών φυσικών λόγον κρύπτειν, δι' αλληγορικών και συμβόλων τοιούτων
Ι. και αντί μεν χαράς, γυναίκα τυμπανίζουσαν έγραφαν:
γύπα 10. αντί βασιλέως, μέλισσαν" ΙΙ. αντί γενέσεως και αυτοφυών και αρρένων, κάνθαρον 12. αντί γής, βουν 13. λέοντος δε προτομή πάσαν αρχών και φυλακήν δηλοί κατ' αυτούς • 14. ουρά λέοντος, ανάγκης 15. έλαφος, ενιαυτόν: 16. ομοίως και ο φοίνιξ 17. ο παίς δηλοί τα αυξανόμενα 18. ο γέρων, τα φθειρόμενα: 19. το τόξον, την οξείαν δύναμιν και έτερα μυρια εξ ών "Ομηρος
ταυτά φησιν· εν άλλη δε τόπιω, είπερ αιρείσθε, έδων εκ του Χαιρήμονος, και τας των γραμμάτων αυτών εκφωνήσεις Αιθιοπικώς είπαν
Transla- “ Now, Homer says this as he was accurately instructed tion of the in all learning by means of the symbolic Ethiopian characters
For the Ethiopians do not use alphabetic characters, but depict animals of all sorts instead, and limbs and members of these animals; for the sacred scribes in former times desired
to conceal their opinion about the nature of the gods, and therefore handed all this down to their own children by allegorical methods and the aforesaid symbols and characters, as the sacred scribe Chaeremon says.” 1. “And for joy, they would depict a woman beating a Accuracy
of Tzetzes' tambourine."
statements [The drum or tambourine was used in the temples proved.
for festival services, and a woman beating a tam-
(A man, seated, with his hand to his mouth,
is the determinative of the word |
[The weeping eye TT is the determinative of the
common word 2 FIT rem, “ to weep.” ] 4. "For want, two hands stretched out empty." [Compare the it, "not to have,” “to be without.”
Coptic &T.] 5. "For rising, a snake coming out of a hole."
[Compare La= per, “to come forth, to risc”
(of the sun).] 6. "For setting, [the same] going in.”
[Compare D = Is āq, “to enter, to set ” (of
the sun).] 7. “For vivification, a frog."
hefennu, means 100,000, hence fertility and abundance of life.]
[The frog en
But compare Horapollo, (ed. Leemans, p. 33), "Atlaotov dè äv@pwnov γράφοντες, βάτραχον ζωγραφούσιν.
Accuracy of Tzetzes' statements proved.
8. “For soul, a hawk; and also for sun and god."
[ So mut, “mother," is the common meaning of a vulture, and at times the goddess Mut seems to be identified with nut, “the sky." Horapollo says that the vulture also meant "year" (ed. Leemans, p. 5), and this statement is borne out by the evidence of the hieroglyphics, where we find that o=forenpit
, “year.”] 10. “For king, a bee."
[Compare the suten net, “ king of the North and
[The beetle xeperà was the emblem of the god
Cheperà 9 4 , who is supposed to have created or evolved himself, and to have given birth to gods, men, and every creature and thing in earth and sky. The word
means "to become,” and in late texts 10 cheperu may be fairly well rendered by "evolutions."
The meaning male comes, of course, from the idea of the ancients that the beetle had no female.
See infra, under Scarab.] 12. "For earth, an ox."
1988 ahet means field, and 98573ameans “ox”;
can Chaeremon have confused the meanings of
these two words, similar in sound ? ] 13. “And the fore part of a lion significs dominion and protection of every kind."