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coffin.

inches long, are pressed into the slots in the coffin, and pegs driven from the outside of the coffin through them keep them firmly in position. Ani's body having been placed in this coffin, the cover is laid upon it, the ends of the dowels fit into the slots in the sides, and coffin and cover are firmly joined together ; wooden pegs are driven through the cover and dowels, the “rabbets” fit tightly, the little space between the coffin and cover is “stopped ” with liquid plaster, and thus the coffin is sealed. Any injury that may have hap- The outer pened to the plaster or paintings during the process of sealing is repaired, and the whole coffin is once more varnished. This coffin is, in its turn, placed inside an outer coffin, which is painted, both inside and outside, with scenes similar to those on the inner coffin ; the drawing is, however, more free, and the details are fewer. The outer coffin being sealed in the same way as that inside it, Ani is now ready to be carried to his everlasting home in the Theban hills.

On a day fixed by the relatives and friends, all the various articles of funereal furniture which have been prepared are brought to Ani's house, where also the mummy in its coffins now lies awaiting the funeral; the cher-heb sees that the things necessary for a great man's funeral are provided, and arranges for the procession to start on the first auspicious day. This day having arrived, the cher-heb's assistants come, and gathering together the servants and those who are to carry burdens, see that each has his load ready and that each knows his place in the procession. When all is ready the funeral train sets The out from Ani's house, while the female servants wail and

procession. lament their master, and the professional mourners beat their breasts, feign to pull out their hair by handfuls, and vie with each other in shrieking the loudest and most often. They have not a great distance to go to reach the river, but the difficulties of passing through the narrow streets increase almost at every step, for the populace of Thebes loved the sight of a grand funeral as much as that of any European country to-day. After some few hours the procession reaches the river, and there a scene of indescribable confusion happens.; every bearer of a burden is anxious to deposit it in one of the boats which lie waiting in a row by the quay; the animals which

funeral

draw the sledge, on which Ani's bier is laid, kick out wildly and struggle while being pushed into the boats, people rush hither and thither, and the noise of men giving orders, and the shouts and cries of the spectators, are distracting. At length, however, the procession is embarked and the boats push off to drop with the current across the Nile to a place a little north of the Temple of Thothmes III., opposite Asâsîf. After an hour spent in disembarking, the procession reforms itself in the order in which it will march to the tomb,

and we see for the first time what a splendid funeral has been Funereal provided. In the front walk a number of men bearing tables offerings.

and stands filled with vases full of wine, beer, oil, perfumes, flowers, bread, cakes, ducks, haunches of beef, and vegetables ; one man carries Ani's palette and box of instruments which he used for writing and drawing, another carries his staff, another his bed, another his chair, others bring the ushabtiu figures in a box with a vaulted cover and made like a tomb; and following them comes the stele recording his name and titles and prayers to the gods of the nether-world; and behind them, drawn by two men, is a coffer surmounted by a jackal,

on a sledge decorated with lotus flowers, in which stand the Ani's four jars which contain Ani's intestines. Next follow the personal

men bearing everything which Ani made use of during his property carried to life, as, for example, the palette which he carried when he the tomb.

followed his king to war in order to keep the accounts of the army and to make lists of all the precious things which were brought to his lord as gifts and tribute, and the harp on which he played in his leisure hours. Next comes the chest

. in which is laid the mummy of Ani, placed in a boat which is mounted on a sledge drawn by four oxen; at the head of the chest is a figure of Nephthys, and at the foot a figure of Isis, the boat is supplied with oars as if it were really destined to row down to Abydos, so that the body might be buried there, and its soul pass into the nether-world through the “Gap”

* Peka (i.e., the ‘Gap') the place whence, according to A the Egyptian belief, souls, under the guidance of Osiris, set out on their last journey. At the head of the boat stands a whiterobed Sam priest wearing a panther skin; he holds a bronze

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instrument for burning incense in the left hand, and with the right he scatters water on the ground from a libation vase 8. Behind the boat follow a number of white-robed priests, one of whom has his head powdered. Next follow more funereal offerings and flowers carried in boxes suspended from the ends of poles which the men who carry them balance on their shoulders. After these come a number of women with breasts uncovered and dishevelled hair, who in their wailing lamentations lament the dead and praise his virtues. Among these would probably be the female servants of Ani's house, whose grief would be genuine, for they would feel that they had lost a good master and a comfortable home.

Meanwhile the procession has moved on and has entered one of the rocky defiles to the north of Dêr el-Bahari, whence, winding along through the valley of the kings, they hope to reach a remote place in the Western valley. The progress of the train is slow, for the ground is rough and rocky, and frequent halts have to be made; on the right hand and on the left, kings and nobles are buried in splendid tombs, and almost every hill which they climb hides the mummy of some distinguished Egyptian. A few miles further on, at some Ani's tomb little distance upon a hill, a rectangular opening is seen, and in the

mountains. when the procession arrives at the foot of it, a number of workmen, attendants, tomb-guardians and others are seen assembled there. The mummy in its coffin is lifted out of the chest, and carried up the hill to the rectangular opening, which proves to be the mouth of Ani's tomb; there it is set upright, and before it the attendants pile up tables with sepulchral offerings and flowers, and animals for sacrifice are also brought there. The wailing women and the distant relatives of Ani here take farewell of him, and when they have descended the hill, the coffin is let down the slanting passage by ropes into the chamber, where it is hoped that Ani's friends will bring sepulchral offerings to his ka, at the appointed

This chamber is rectangular and has two rows of square pillars in it. From it there leads a passage about six

seasons.

1 In the papyrus of Ani, his wife is represented kneeling on the ground in grief by the side of the boat.

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