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days, however, the native has brought skill and thought to bear upon the matter, and he sets about his work in a systematic way. He has seen what the old faience scarabs are made of, and he can now make a paste very much like that of which they are made. From the old broken ushabtiu figures, scarabs and beads, he chips off the thin layer of green or blue covering for his use. A large number of genuine moulds for scarabs have been found, and from these and others which he makes like them, he turns out large numbers of scarabs ready for glazing. For glaze he uses the pieces which he has collected from broken genuine scarabs, etc., and he spreads this over the paste with a blow-pipe. When he wishes to make steatite scarabs he obtains the steatite from the mountains where the ancient Egyptians found it. There is a large amount of artistic skill in many natives, and with a little practice they are able to cut very good scarabs. The discoloration of the genuine scarab is easily imitated by keeping them in wet sand, earth and ashes, and if he wants to glaze them he makes use of the same method as in glazing his paste forgeries. For inscriptions he usually follows slavishly those inscribed on genuine scarabs, of which he keeps a good supply. In this matter, however, he is greatly helped by the act of an English traveller, who wrote out for one of these imitators a list of all the most important kings of Egypt which he now imitates with great success. He sells hundreds, perhaps even thousands, of his scarabs yearly, and many of them bring a high price. One has only to see the excellent way in which some of the natives can make a fine and correct reproduction in stone from a sculpture in a tomb or temple, to understand how well the native can imitate such things. Colours and other materials and tools can now be easily obtained in Egypt, and through the support of numerous purchasers who have bought readily for some years past, the production of forgeries of antiquities in general, and of scarabs in particular," has become

Process of modern manufacture of scarabs.

* And this, notwithstanding the statement, “Generally speaking, forgeries— except of one or two obvious kinds—are very rare, and there is nothing like the amount of doubt in the matter which is often supposed to exist.” Petrie, Historical Scarabs, p. 6.

a very profitable business. At more than one place in Egypt
scarabs, bronze figures, etc., etc., have been so well imitated
that experts were deceived and purchased them. Genuine
ushabtiu figures and bronze statues of gods are cast in moulds
found among the ruins of ancient Egyptian towns, wooden
Ptah-Seker-Ausár figures and boats are made from the
planks of old coffins, and as it is evident that the substance
itself is genuine, the unwary collector is thrown off his guard.
In certain dealers' houses at Thebes and elsewhere, the visitor
will always find a large assortment of forgeries, even on the
tables set apart for genuine antiquities, and he will be able to
compare and judge for himself.
The reverence shown by the Egyptians to the scarab, as
an emblem of the Creator, was not shared by neighbouring
nations. Thus Physiologus, after describing how scarabs roll
up their eggs in balls of dung, and how they push them
backwards, and how the young having come to life feed upon
the dung in which they are hatched, goes on to say that we
may learn of a certainty that scarabs are heretics who are
polluted by the filth of heresies; that these balls, which are
formed of filth and nastiness, and which they roll backwards
and not forwards, are the evil thoughts of their heresies,
which are formed of wickedness and sin, and which they roll
against mankind, until they become children of error, and by
being participators in the filth of their heresies they become
other beings and like unto them. See Land, Anecdota

* The ignorance of the habits and manner of life of the scarabaeus which is displayed by certain Syrian writers upon natural history is marvellous; here is a specimen : “The scarabaeus receiveth conception through its mouth, and when it cometh to bring forth, it giveth birth to its young through its ears. It hath the habit of stealing, and wherever it findeth small things and things of gold and silver it taketh and hideth them in its hole. And if pulse be found in the house it taketh [it] and mixeth [it] up with [other] things, chick-peas with beans, and beans with lentils, rice with millet and wheat, and everything which it findeth it mixeth up together in the place where it hideth itself. It thus doeth the work of the cooks who mix such things together to make to stumble those who buy pulse at the shops. And if any man taketh note of it and smiteth it, it taketh its vengeance upon [his] clothing. If having collected pieces of money and taken them forth to the race-course or to play with them, they be taken away from it, it wandereth about and turneth hither and thither, and if it findeth them not it straightway killeth itself.” Ahrens, Das Buch der Naturgegenstände, text, p. 41, translation, p. 62.

Modern manufacture of antiquities.

Physiologus on the scarabaeus.

The
Buckle of
Isis.

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I. The Buckle or Tie 3. This amulet, called by the Egyptians \o 6et, is one of the commonest objects found

among collections of Egyptian amulets. It was most commonly made of red jasper, carnelian, red porphyry, red glass or fasence, and sycamore wood; sometimes it was made entirely of gold, and sometimes, when it was made of substances other than gold, it was set in gold, or covered over with gold leaf. Buckles are usually uninscribed, but frequently when two or more are found together the 156th chapter of the Book of the Dead is engraved on them. The buckle was placed on the neck of the mummy, which it was supposed to protect; the red material of which it was made represented the blood of Isis. The formula which is inscribed on buckles reads:—

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Chapter of the buckle of red jasper placed on the neck

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senef ent Auset bekau of the deceased. The blood of Isis, the incantations

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Is to be said chapter this over a buckle of red jasper the Dead.

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mes - 0:1 em mâu nul ānxãm anointed zenith water of āncham flowers, #$3,\| ? ...} # , , ) ^o Y \, s] | c \\ | c. sula A—s menxu - 6a her xati ent nehet ertà - 6a made of the heart of a sycamore tree, and placed 3. Ö § D | -GO- Ş. wwwowa <oc. awawa <C. Q Q $. Q awaw -> W co *~ er Xex en pen är ăritu - nef on the neck of deceased person this. If makes one t—*- C. r awawa c. CY c) I awara razowa T"T •o e H. jSé is Śāt ten un - neS Xut en Auset em book - - - {...,ting this, is it the power of Isis

1 See Birch, The Amulet of the 7"ie, Aeg. Zeit., 1871, p. 13 : and Maspero, Mémoire sur Quelques /a/yrus du Louvre, p. 8. B. M. S

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of the underworld, is given to him an allotment of ground with

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name his like that of those gods who are there, say the

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