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into Ethiopia ; thus the date of the tomb is well known.' Like the tombs of the VIth dynasty the walls inside were covered with a layer of plaster upon which scenes and inscrip

tions were painted. Tombs of During the XVIIIth dynasty tombs on the plan of the the XIIth

rock-hewn tombs of the XIIth dynasty were commonly built, XVIIIth dynasties

but the inscriptions, which in ancient days were brief, now similar in become very long, and the whole tomb is filled with beautiplan.

fully painted scenes representing every art and trade, every agricultural labour, and every event in the life of the deceased. The biography of the deceased is given at great length; if a soldier, the military expeditions in which he took part are carefully depicted, and appropriate hieroglyphic descriptions are appended ; the tribute brought to the king from the various countries is depicted with the most careful attention to the slightest detail of colour and form. The mummy chamber was made exactly under the chapel, but the position of the pit which led to it varied. Under the XVIIIth and XIXth dynasties the tombs of kings and private persons possessed a size and magnificence which they never attained either before or since. The finest specimens of these periods are the famous Tombs of the Kings which are hewn in the living rock in the eastern and western valleys at Thebes; those in the latter valley belong to the XVIIIth dynasty, and those in the former belong to the XIXth dynasty. The royal tombs here consist of long inclined planes, with chambers at intervals, receding into the mountains ; according to Strabo these tombs were forty in number, but at the time of the death of M. Mariette, only about twenty-five were known. The tomb which we may consider to have been the model during the palmy days of the XVIIIth and XIXth dynasties, is that of Seti I. ; the walls of the staircases and chambers are covered with inscriptions and scenes from the “Book of being in the

Bibân
el-Mulûk.

1 For a full account of this tomb, see my paper in Proc. Soc. Bib. Arch., November, 1887, p. 33 ff. A tomb of great importance was discovered at Aswân in 1892 by Signor E. Schiaparelli, who published the hieroglyphic text with a commentary in his valuable paper Una Tomba Egiziana Inedita della Vla Dinastia, Roma, 1892.

Underworld,” and their excellence and beauty is such that they cannot be too highly praised. Under this king, Egyptian funercal art seems to have been at its culminating point, for neither sculptor nor painter appears to have produced anything so fine after this date. The tomb is The tomb

of Seti I. entered by means of two flights of steps, at the bottom of which is a passage terminating in a small chamber. Beyond this are two halls having four and two pillars respectively, and to the left are the passages and small chambers which lead to the large six-pillared hall and to the vaulted chamber in which stood the sarcophagus of Seti I. Here also is an inclined plane which descends into the mountain for a considerable distance ; from the level of the ground to the bottom of this incline the depth is about 150 feet; the length of the tomb is nearly 500 feet. The designs on the walls were first sketched in outline in red, and the alterations by the master designer or artist were made in black; this tomb was never finished. Each chamber in this tomb has its peculiar ornamentation, and there is little doubt that each chamber had its peculiar furniture; it is thought that many articles of furniture, pieces of armour, weapons, etc., etc., were broken intentionally when they were placed in the tomb. Of the tombs belonging to the period between the XXth and the XXVIth dynasty, nothing need be said, for they call for no special notice; in the XXVIth dynasty, however, the renaissance of Egyptian Therenaisart naturally showed itself in the tombs of the period, and in sance. some few instances an attempt was made to reproduce tombs after the plan and with the elegance of those of the XIXth dynasty. It must be noticed that the inscriptions on the walls are of a funereal character, and consist usually of a series of chapters of the Book of the Dead.

That the tombs described above are those of wealthy people goes without saying ; it now remains to refer to the tombs of the extremely poor. They were sometimes buried in the crevices of the rocks, and at other times in the desert, either near the great necropolis of the town or in

1 On les tuait de la sorte afin que leur âme allât servir l'âme de l'homme dans l'autre monde. Maspero, L'Archéologie Egyptienne, p. 159.

of the

The tombs solitary places. A cave or hollow in the mountains afforded

a place of sepulture unto many, and numerous rock caves poor.

exist in the mountains to the west of Thebes and other places, where the mass of decayed mummies and bones is several feet deep, and where skulls and skeletons, some with their skins shrivelled upon them, and others with bare bones, line the sides up to the ceiling. Sometimes pits were dug as common graves for the whole town, and sometimes the pit and passage of a forsaken tomb served to accommodate hundreds of bodies. The absence of valuable furniture and ornaments rendered the bodies of the poor of no account to the pillager of tombs, and the inaccessible situation of the places where they were buried made it unlikely that they would be disturbed that others might be put in their places. The funereal furniture of the poor consisted of very little more than what they wore day by day, and, provided they were protected by a few amulets and figures of the gods in faïence to guard them against the attacks of evil-disposed demons, and by a scarab, the emblem of the resurrection and the new life, they probably laid down the burden of this life with as firm a hope in the

mercy of Osiris as did the rich man in the mașțaba or pyramid. Graeco- Under the Ptolemies and the Roman Emperors the Roman tombs.

arrangement of the tombs changes greatly ; the outer chapel or chamber disappears entirely, and the character of everything appertaining to the service of the tomb shows that a great change has taken place in the religious views of the people, for although ancient forms and observances are kept up, it is clear that the spirit which gave them

life has been forgotten. Egyptian In the early centuries of the Christian era the tombs tombs used by

in the mountains of Egypt formed dwelling-places for a Christian number of monks and ascetics, and it would seem that the monks.

statues and other objects in them suffered at their hands. An instance of the use of a rock-hewn tomb by Pisentios, Bishop of Coptos, is made known to us by an encomium on this saint by his disciple John. The tomb in which

1 For the Coptic text and a French translation, see Amélineau, Etude sur le Christianisme en Egypte au Septième Siècle, Paris, 1887.

Pisentios lived was rectangular in shape, and was fifty-two feet wide ; it had six pillars and contained a large number of mummies. The coffins were very large and profusely decorated, and one of the mummies was clothed in silk, and his fingers and toes were mummified separately ; the names of those buried there were written on a small parchment roll ( оттокаріоr іt хийлєврator). Pisentios conversed with one of the mummies, who begged the saint to pray for his forgiveness; when Pisentios had promised him that Christ would have mercy upon him, the mummy lay down in his coffin again.

EGYPTIAN WRITING MATERIALS.

The writing materials chiefly used by the ancient Egyptians consisted of papyrus, palette, reeds, and colours.

The papyrus was called B

- thuf, \ 999 hai, 1 y áth, etc., and was made from the byblus

hieraticus, or Cyperus papyrus, which grew in the marshes and pools near the Nile. The height of the plant was from twelve to fifteen feet, and the largest diameter of its triangular stalk was about four or six inches. The roots were used for firewood, parts of the plant were eaten, and other and coarser parts were made into paper, boats, ropes, mats, etc., etc. It will be remembered that the boat in which Isis set out to seek for Osiris was made of papyrus,' and the "ark of bulrushes”? in which Moses was laid was probably made of the same material. When it was intended to make paper from the Preparaplant, the outer rind was removed, and the stalk was divided tion of

papyrus with a flat needle into layers. These layers, the length of for writing which depended upon the width of the roll to be made, and purposes. the width upon the thickness of the stalk of the plant from which they were taken, were then laid upon a table, side by side, and upon these another series of layers was laid in a horizontal direction, and a thin solution of gum was then run between them; the two series of layers thus united were

1 Plutarch, De Iside et Osiride, Squire's translation, p. 22.
2 Exodus ii. 3.

Dimensions of papyri.

pressed and afterwards dried. It is clear that by joining a number of such sheets of papyrus together, a roll of almost any length could be made. The quality of the papyrus depended entirely upon the class of plant used in its manufacture. The colour of the papyri that have come down to us varies greatly, from a rich brown to a whitish-grey; the texture of some is exceedingly coarse, and of others fine and silky. The width of papyri varies from six to seventeen inches, and the longest papyrus known (Harris, No. 1, B.M. 9999) measures 135 feet in length. The finest hieroglyphic papyri of the Book of the Dead are about fifteen inches in width, and when they contain a tolerably full number of chapters, are from eighty to ninety feet long. The papyri upon which contracts in Greek and Demotic are written are of a coarse fibre, and vary from ten to fourteen inches in width; their lengths vary from one to ten feet. The usual width of papyri employed for literary compositions is about eight inches. The common name for a roll of papyrus was

tamā, Copt. Xwee, “a book.” Papyrus letters and legal documents were fastened by being tied round with a piece of papyrus string, and upon this a piece of clay was laid, which, being impressed with a ring or

, The British Museum possesses among its seals impressions in clay of the seal of Shabaka, found at Kouyunjik (see p. 249); a seal (No. 5585) ascribed to Shashanq by Dr. Birch (in Layard, Babylon and Nineveh, London, 1853, P. 1857), which reads

;

; an oval seal (No. 5584) bearing the name of a private person and the prenomen of Amāsis II. 000); and an oval seal (No. 5583), bearing the name of Naifāarut, the first king of the XXIXth dynasty.

The palette of the Egyptian scribe, called Slo mesthå, was made of basalt (B.M. No. 12,778), calcareous stone inlaid with lapis-lazuli (B.M. No. 24,576), and ivory (B.M. No. 5524), but more commonly of wood. In shape it was rectangular, and its size varied from 10 in. x 2 in. to 16 in. x 2} in. ; its thickness was usually g of an inch. At one

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